The Collected Essays and Criticism, Volume 3: Affirmations and Refusals, 1950-1956
Clement Greenberg, (Editor) John O'Brian
Language: English
Published by The University of Chicago Press, 1995
- Softcover
- Used
Seller: Strand Book Store, ABAA, New York, NY, U.S.A.Strand Book Store, ABAA
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Add to basketItem description from seller
(Collected Essays and Criticism, Volume III). The contents in this volume consist of published writings only, arranged chronologically in the order of their first appearance. Greenberg's wholesale endorsement and accommodation of the Abstract Expressionism movement continue full-throttle through the first half of the 1950s, especially in the case of Jackson Pollock. But, a piece on T.S. Eliot, an 'Autobiographical Statement,' a couple of pieces on Kafka, declare his range, and others, declare his facility in regards to literature. Bibliography, Chronology, Inex. 305p.
Seller Inventory # 1905006
- Title
- The Collected Essays and Criticism, Volume 3: Affirmations and Refusals, 1950-1956
- Author
- Clement Greenberg, (Editor) John O'Brian
- Publisher
- The University of Chicago Press
- Publication year
- 1995
- Condition
- Good
- Binding
- Paperback
- Language
- English
- ISBN 10
- 0226306232
- ISBN 13
- 9780226306230
- Series
- Book 3 of 4: Collected Essays and Criticism
- Seller catalogs
- ART-THEORY/CRITICISM
Clement Greenberg is widely recognized as the most influential and articulate champion of modernism during its American ascendency after World War II, the period largely covered by these highly acclaimed volumes of The Collected Essays and Criticism. Volume 3: Affirmations and Refusals presents Greenberg's writings from the period between 1950 and 1956, while Volume 4: Modernism with a Vengeance gathers essays and criticism of the years 1957 to 1969. The 120 works range from little-known pieces originally appearing Vogue and Harper's Bazaar to such celebrated essays as "The Plight of Our Culture" (1953), "Modernist Painting" (1960), and "Post Painterly Abstraction" (1964). Preserved in their original form, these writings allow readers to witness the development and direction of Greenberg's criticism, from his advocacy of abstract expressionism to his enthusiasm for color-field painting.
With the inclusion of critical exchanges between Greenberg and F. R. Leavis, Fairfield Porter, Thomas B. Hess, Herbert Read, Max Kozloff, and Robert Goldwater, these volumes are essential sources in the ongoing debate over modern art. For each volume, John O'Brian has furnished an introduction, a selected bibliography, and a brief summary of events that places the criticism in its artistic and historical context.
"Synopsis" may belong to another edition of this title.
About the Author
Greenberg first established his reputation writing for the "Partisan Review", which he joined as an editor in 1940. He became art critic for"The Nation" in 1942, and was associate editor of "Commentary" from 1945 until 1957. His seminal essay, "Avant-Garde and Kitsch" set the terms for the ongoing debate about the relationship of modern high art to popular culture. Though many of his ideas have been challenged, Greenberg has influenced generations of critics, historians, and artists, and he remains influential to this day.
John O'Brian is professor of art history at the University of British Colombia.
"About the title" may belong to another edition of this title.
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