Classical Myth in Alfred Hitchcock's Wrong Man and Grace Kelly Films
Language: English
Published by Lexington Books, 2018
- Hardcover
- Used
Condition: Used - Fine
£ 103.15
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Zustand: Sehr gut | Seiten: 412 | Sprache: Englisch | Produktart: Bücher | This book treats six beloved films of Hitchcock: The 39 Steps, Saboteur, and North by Northwest, plus Dial M for Murder, Rear Window, and To Catch a Thief. Padilla reviews their production histories with an eye to classical influences, and then analyzes their links with Greek art, poetry, and philosophy.
Seller Inventory # 32615056/2
- Title
- Classical Myth in Alfred Hitchcock's Wrong Man and Grace Kelly Films
- Author
- Mark William Padilla
- Publisher
- Lexington Books
- Publication year
- 2018
- Condition
- Sehr gut
- Binding
- Hardcover
- Language
- English
- ISBN 10
- 1498563503
- ISBN 13
- 9781498563505
- Seller catalogs
- Bücher
Chapter One, on The 39 Steps (1935), finds the origins of the wrong man plot in early 20th-century British classicism, and demonstrates that the movie utilizes motifs of Homer’s Odyssey. Chapter Two, on Saboteur (1942), theorizes the impact of the director’s memories of the formalism and myths associated with the Parthenon sculptures housed in the British Museum. Chapter Three, on North by Northwest, participates in the myths of the hero Oedipus, as associated with early Greek epic, Freud, Nietzsche, and Sophocles. Chapter Four, on Dial M for Murder (1954), returns to Homer’s Odyssey in the interpretive use of “the lay of Demodocus,” a story about the sexual triangle of Hephaestus, Aphrodite, and Ares. Chapter Five, on Rear Window (1954), finds its narrative archetype in The Homeric Hymn to Aphrodite; the erotic theme of Sirius, the Dog Star, also marks the film. Chapter Six, on To Catch a Thief (1955), offers the opportunity to break from mythic analogues, and to consider the film’s philosophical resonances (Plato and Epicurus) in the context of motifs coalesced around the god Dionysus/Bacchus.
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