The Classic Point of View: Six Lectures on Painting (Classic Reprint)
Language: English
Published by Forgotten Books, 2018
- Softcover
- New
Seller: Forgotten Books, London, United KingdomForgotten Books
AbeBooks seller since June 2, 2021
Condition: New
£ 16.90
Quantity: Over 20 available
Add to basketItem description from seller
Print on Demand. This book presents a robust defense of a "Classic Spirit" that emphasizes compositional mastery, clarity, and artistic discipline; an approach to artmaking the author sees as severely lacking in modern art. The author, a painter and recognized authority on art, traces the origins of the Classic Spirit back to the art of the Greeks and highlights its presence in the work of Renaissance masters like Raphael and Michelangelo. The book further examines the influence of the Classic Spirit on the great landscape painters of the 18th and 19th centuries. At the same time, the author laments the decline of the Classic Spirit in modern art, which he sees as overly fixated on novelty, and encourages a return to the enduring values of craftsmanship, structure, and adherence to tradition. This book will appeal to a wide range of readers interested in art, from students and academics to art collectors and art enthusiasts. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. …
Seller Inventory # 9781330090084_0
- Title
- The Classic Point of View: Six Lectures on Painting (Classic Reprint)
- Author
- Kenyon Cox
- Publisher
- Forgotten Books
- Publication year
- 2018
- Condition
- New
- Book Type
- print-on-demand item
- Binding
- Paperback
- Language
- English
- ISBN 10
- 133009008X
- ISBN 13
- 9781330090084
- Seller catalogs
- Painting and Drawing
I have therefore welcomed the opportunity afforded by theinvitation from The Art Institute Of Chicago to deliver the Scammon Lectures for 1911 to draw up a definitive credo - a detailed and explicit confession Of artistic faith. The following pages will, accordingly, be found to con tain a statement, as clear as I can make it, Of what one painter believes and hopes and fears with regard to painting; Of what he takes to be the malady Of modern art, and Of where he looks for the remedy for it. It would be little less than miraculous if such a statement Of be lief should contain the truth, the whole truth, and nothing but the truth. It must contain errors, and may contain wrongheadedness. At least it is an honest attempt at a contribution to the truth.
About the Publisher
Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com
This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
"Synopsis" may belong to another edition of this title.
About the Author
"About the title" may belong to another edition of this title.
Forgotten Books
London, United Kingdom
AbeBooks seller since June 2, 2021
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Forgotten Books’ Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the quality of the aged text.
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Terms of sale
Forgotten Books publishes hundreds of thousands of rare and classic books.
This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
This text has been digitally restored from a historical edition. Some errors may persist, however we consider it worth publishing due to the work's historical value.
The digital edition of all books may be viewed before purchase if you request a sample.
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