Cineaste on Film Criticism, Programming, and Preservation in the New Millennium
Language: English
Published by University of Texas Press, 2017
- Hardcover
- New
Condition: New
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Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Collecting some of the most frequently requested articles from one of the most influential publications on film, this volume explores the paradoxical ways that digital technology and the Internet have transformed film criticism, programming, and preservat.
Seller Inventory # 596026501
- Title
- Cineaste on Film Criticism, Programming, and Preservation in the New Millennium
- Author
- Cynthia Lucia|Rahul Hamid
- Publisher
- University of Texas Press
- Publication year
- 2017
- Condition
- New
- Binding
- Gebunden
- Language
- English
- ISBN 10
- 1477313400
- ISBN 13
- 9781477313404
Digital technology and the Internet have revolutionized film criticism, programming, and preservation in deeply paradoxical ways. The Internet allows almost everyone to participate in critical discourse, but many print publications and salaried positions for professional film critics have been eliminated. Digital technologies have broadened access to filmmaking capabilities, as well as making thousands of older films available on DVD and electronically. At the same time, however, fewer older films can be viewed in their original celluloid format, and newer, digitally produced films that have no “material” prototype are threatened by ever-changing servers that render them obsolete and inaccessible.
Cineaste, one of the oldest and most influential publications focusing on film, has investigated these trends through a series of symposia with the top film critics, programmers, and preservationists in the United States and beyond. This volume compiles several of these symposia: “Film Criticism in America Today” (2000), “International Film Criticism Today” (2005), “Film Criticism in the Age of the Internet” (2008), “Film Criticism: The Next Generation” (2013), “The Art of Repertory Film Exhibition and Digital Age Challenges” (2010), and “Film Preservation in the Digital Age” (2011). It also includes interviews with the late, celebrated New Yorker film critic Pauline Kael and the critic John Bloom (“Joe Bob Briggs”), as well as interviews with the programmers/curators Peter von Bagh and Mark Cousins and with the film preservationist George Feltenstein. This authoritative collection of primary-source documents will be essential reading for scholars, students, and film enthusiasts.
"Synopsis" may belong to another edition of this title.
About the Author
CYNTHIA LUCIA has served on Cineaste’s editorial board for more than two decades. She is a professor of English and the director of the Film/Media Studies Program at Rider University.
RAHUL HAMID has been an editor at Cineaste for ten years. He teaches film studies at New York University’s Gallatin School of Individualized Study, where he is director of student affairs.
"About the title" may belong to another edition of this title.
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