Choreography And The Specific Image

Daniel Nagrin

ISBN 10: 0822957507 / ISBN 13: 9780822957508

Published by University of Pittsburgh Press, 2001

About this Item

Many dancers want to confront concrete, difficult subjects. But their formalistic training hasn't prepared them for what they need to say. This book on choreography, approached through "content" rather than "structure", is designed with them in mind. Num Pages: 256 pages, illustrations. BIC Classification: ASD. Category: (G) General (US: Trade); (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 229 x 203 x 18. Weight in Grams: 612. . 2001. 1st Edition. Paperback. . . . . Books ship from the US and Ireland. Seller Inventory # V9780822957508

Bibliographic Details

Title: Choreography And The Specific Image

Publisher: University of Pittsburgh Press

Publication Date: 2001

Binding: Soft cover

Condition: New

About this title

Synopsis:

“The world outside has burst into the studio,” writes the influential dancer, teacher, and choreographer Daniel Nagrin. Many dancers want passionately to confront concrete, difficult subjects. But their formalistic training hasn’t prepared them for what they need to say. This book, the first on choreography approached through content rather than structure, is designed with them in mind. Spiced with wit and strong opinions, Choreography and the Specific Image explores, in nineteen far-ranging essays, the art of choreography through the life’s work of an important artist. A career of performance, creativity, and teaching spanning five decades, Nagrin reveals the philosophy and strategy of his work with Helen Tamiris, a founder of modern American dance, and of Workgroup, his maverick improvisation company of the 1970s. During an era when many dancers were working with movement as abstraction, Nagrin turned instead toward movement as metaphor, in the belief that dance should be about something. In Choreography and the Specific Image, Nagrin shares with the next generation of dancers just how that turn was accomplished. “It makes no sense to make dances unless you bring news,” he writes. “You bring something that a community needs, something from you: a vision, an insight, a question from where you are and what churns you up.” In a workbook following the essays, Nagrin lays out a wealth of clear, effective exercises to guide dancers toward such constructive self-discovery. Unlike all other choreography books, Nagrin addresses the concerns of both modern and commercial (show dance) choreographers. “The need to discover the inner life,” he maintains, “is what fires the motion.” This is Nagrin’s third book of a trilogy, following Dance and the Specific Image: Improvisation and The Six Questions: Acting Technique for Dance Performance. Each focuses on a different aspect of dance―improvisation, performance, and choreography―engaging the specific image as a creative tool. Part history, part philosophy, part nuts-and-bolts manual, Choreography and the Specific Image will be an indispensable resource for all those who care passionately about the world of dance, and the world at large.

About the Author:

Daniel Nagrin, dubbed "the great loner of American dance" by Dance Magazine, has worked with Martha Graham, Helen Tamiris, Mme. Anderson-Ivantzova, and Anna Sokolow. He has danced on Broadway, in film and television, and has toured nationally and internat