Chinese Opera looks at Chinese society through an excitingseries of photographs of operatic performances from many regions of thecountry. The book introduces the reader to this unique theatrical formand tells the traditional stories that are its narrative foundation.Siu Wang-Ngai’s extraordinary images, taken in natural light duringperformances, lovingly reveal the visual excitement of Chinese operaand point to the differences in costuming and presentation thatdistinguish each regional style and character type.

Through Peter Lovrick’s engaging text, Chinese Operaprovides a brief anecdotal history of the development of Chinese operaand introduces a language of theatrical convention entirely new to theWesterner. It also identifies the hallmarks of the dozen or so regionalopera styles found in this collection. As well, the book arranges thestories in a rough chain of being, from heaven, through the wholesocial structure on earth from emperor to outlaw, to ghosts in thenether world, offering a revealing view of Chinese social tradition andexperience. Chinese opera has a rich repertoire drawn from history,legends, folk tales, and classic novels.

Chinese Opera opens a door onto the wealth of Chinesetraditional drama in a way that will interest drama aficionados,admirers of theatrical photography, students of Chinese drama, thoseinterested in the culture of China, and everyone who enjoys a livelystory. Siu Wang-Ngai’s photographic record of opera performancesmakes these stories come alive.

About the Author

Siu Wang-Ngai is a Fellow of the Royal PhotographicSociety of Great Britian and Chair of the Federation of Hong Kong-MacauPhotographic Association. He lives in Hong Kong, where he practiceslaw. Peter Lovrick has taught the History ofPerforming Arts in China at the University of Toronto’s East AsianStudies department for the past several years. He also teaches fulltime at George Brown College’s English and Liberal StudiesDepartment.

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