China Rediscovered: The Benaki Museum Collection of Chinese Ceramics

George Manginis

ISBN 10: 1910376582 ISBN 13: 9781910376584
Published by Haus Publishing, 2016
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This richly illustrated book showcases a previously unseen collection of Chinese ceramics, formed in the early twentieth century by George Eumorfopoulos, a pivotal figure in the appreciate of Asian art. These artifacts build a rare time capsule of Western tastes and preoccupations with the East in the decades prior to World War II. Num Pages: 144 pages, 160 full colour. BIC Classification: 1FPC; ACBP; AFP; AGC. Category: (G) General (US: Trade). Dimension: 247 x 249 x 14. Weight in Grams: 790. . 2016. Paperback. . . . . Books ship from the US and Ireland. Seller Inventory # V9781910376584

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In May 1936 the steamship Sorrento sailed into the port of Piraeus, Greece. Aboard were sixteen crates with 452 items of Chinese pottery, destined to join another 341 already on display at the Benaki Museum in Athens. Over the past nine years the museum s founder, Antonis Benakis, had been in contact with their donor, Greek-origin British businessman George Eumorfopoulos. His Chinese art collection was one of the most extensive the world had ever seen. In bestowing this gift, Eumorfopoulos wanted to introduce Greeks to the art of China through its best-known medium at the time, ceramics. The years after the collapse of the Qing dynasty in 1911 witnessed an opening up of China and the first archaeological excavations of its ancient cultures. A circle of enthusiasts and scholars, among which Eumorfopoulos was pivotal, grasped the opportunity to evaluate anew long-held preconceptions on Chinese civilisation. Situated in London, a centre of imperialist power and global finance, they acquired, assessed, and interpreted previously-unseen and fascinating objects. In addition, Eumorfopoulos acted as an intermediary between the contemporary art scene and Chinese antiquities, inspiring modern artists and studio potters . China Rediscovered: The Benaki Museum Collection of Chinese Ceramics traces the roles ceramics assumed in this cultural interplay within the context of earlier encounters between China and the rest of the world. A selection of 88 items from the Benaki Museum are perceived as actors within constantly evolving sets , as players in a game of knowledge, taste, and power.

About the Author: GEORGE MANGINIS is an archaeologist. He has taught Byzantine, Islamic, and Chinese Art History at the University of Edinburgh, SOAS, and the New College of the Humanities. In 2013 he was a Stanley J. Seeger Fellow at Princeton University.

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Title: China Rediscovered: The Benaki Museum ...
Publisher: Haus Publishing
Publication Date: 2016
Binding: Soft cover
Condition: New

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ISBN 10: 1910376582 ISBN 13: 9781910376584
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Soft cover. Condition: New. 1st Edition. 143 pages : illustrations, chiefly colour ; 25 cm. Summary:This richly illustrated book showcases a previously unseen and virtually unknown historical collection of Chinese ceramics, formed in the early twentieth century by George Eumorfopoulos, a pivotal figure in the appreciate of Asian art. Taken together, these artefacts, now located at the Benaki Museum in Athens, Greece, build a rare time capsule of Western tastes and preoccupations with the East in the decades prior to World War II. The years between the collapse of the Qing dynasty in 1911 and the establishment of the People s Republic of China in 1949 marked an opening up of China to the rest of the world and coincided with the first archaeological excavations of the country's early cultures. Working at the time in London, a center of imperialist power and global finance, Eumorfopoulos and his colleagues were instrumental in acquiring, assessing, interpreting, and manipulating the unearthed objects. The years of isolation that followed this period allowed aspects of his approach to become canonical, influencing later scholarly research on Chinese material culture. This groundbreaking exploration of approximately one hundred artifacts is not only an important account of Eumorfopoulos's work, but also a story about China and the West and the role antique materials played in their cultural interplay. Seller Inventory # 7cb120

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Paperback. Condition: New. This richly illustrated book showcases a previously unseen and virtually unknown historical collection of Chinese ceramics, formed in the early twentieth century by George Eumorfopoulos, a pivotal figure in the appreciate of Asian art. Taken together, these artifacts, now located at the Benaki Museum in Athens, Greece, build a rare time capsule of Western tastes and preoccupations with the East in the decades prior to World War II. The years between the collapse of the Qing dynasty in 1911 and the establishment of the People s Republic of China in 1949 marked an opening up of China to the rest of the world and coincided with the first archaeological excavations of the country s early cultures. Working at the time in London, a center of imperialist power and global finance, Eumorfopoulos and his colleagues were instrumental in acquiring, assessing, interpreting, and manipulating the unearthed objects. The years of isolation that followed this period allowed aspects of his approach to become canonical, influencing later scholarly research on Chinese material culture.This groundbreaking exploration of approximately one hundred artifacts is not only an important account of Eumorfopoulos s work, but also a story about China and the West and the role antique materials played in their cultural interplay. ". Seller Inventory # LU-9781910376584

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Soft cover. Condition: New. No Jacket. 1st Edition. English text; Paperback; 24.3 x 24.5 cm; 0.791 Kg; 144 pages with 160 colour illustrations.; STILL WRAPPED IN PLASTIC: This book examines the 'new orientation of ideas' on Chinese material culture in early 20th century London under the influence of a circle of enthusiasts and scholars, preeminent among which was George Eumorfopoulos (1863-1939), a Greek origin London businessman and collector. These ideas are placed within the context of earlier encounters between China and the West through trade and diplomacy as they unravelled between the 16th century and the late 19th century. The objects discussed form part of the Benaki Museum collection of Chinese art, in its majority donated by Eumorfopoulos between 1929 and 1936; this collection is a rare 'time capsule' of the taste and preoccupations of the pre-World War II period with regards to China. The years between the collapse of the Qing dynasty in 1911 and the establishment of the People's Republic of China in 1949 marked an 'opening up' of China to the rest of the world and coincided with the first archaeological excavations of the country's early cultures. Situated in London, a centre of imperialist power and global finance, George Eumorfopoulos and his entourage were instrumental in acquiring, assessing, interpreting and manipulating the previously-unseen objects. Eumorfopoulos also acted as an intermediary between the contemporary art scene (the tenets of which informed his taste in the first place) and these ancient artifacts, giving rise to the 'studio pottery' movement in England and beyond. The years of isolation which followed allowed aspects of this 'vision' to become canonical and influence scholarly production on Chinese material culture. Research over the last 25 years has allowed a reassessment of this vision. This ground-breaking publication perceives approximately 100 artifacts as 'actors' within constantly evolving 'sets of action' as players in a game of power, knowledge and taste. This is a book about China and the West in the 20th century and the roles antiquity and its material manifestations acted in the re-negotiation of this cultural interplay.; George Manginis has taught History of Islamic and Byzantine Art and History of Chinese Ceramics for SOAS/University of Londo, the New College of the Humanities, the Victoria & Albert Museum, the British Museum, the Benaki Museum in Athens, the Museum of Islamic Art in Doha. He is currently Teaching Fellow at The University of Edinburgh. He is the author of Mount Sinai: a History of Pilgrims and Travellers (Armchair Traveller, 2016). Seller Inventory # 0198B

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Paperback. Condition: New. This richly illustrated book showcases a previously unseen and virtually unknown historical collection of Chinese ceramics, formed in the early twentieth century by George Eumorfopoulos, a pivotal figure in the appreciate of Asian art. Taken together, these artifacts, now located at the Benaki Museum in Athens, Greece, build a rare time capsule of Western tastes and preoccupations with the East in the decades prior to World War II. The years between the collapse of the Qing dynasty in 1911 and the establishment of the People s Republic of China in 1949 marked an opening up of China to the rest of the world and coincided with the first archaeological excavations of the country s early cultures. Working at the time in London, a center of imperialist power and global finance, Eumorfopoulos and his colleagues were instrumental in acquiring, assessing, interpreting, and manipulating the unearthed objects. The years of isolation that followed this period allowed aspects of his approach to become canonical, influencing later scholarly research on Chinese material culture.This groundbreaking exploration of approximately one hundred artifacts is not only an important account of Eumorfopoulos s work, but also a story about China and the West and the role antique materials played in their cultural interplay. ". Seller Inventory # LU-9781910376584

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