Charlotte Posenenske: Work in Progress

Lowry, Alexis/ Malz, Isabelle/ McBride, Rita/ Morgan, Jessica/ Posenenske, Charlotte/ Spaulding, Daniel/ Wood, Catherine

ISBN 10: 3960986300 ISBN 13: 9783960986300
Published by Verlag der Buchhandlung Walther Konig, 2019
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A handsome overview celebrating the neglected German minimalist sculptor Charlotte Posenenske

Embracing reductive geometry, industrial fabrication and repetitive forms, German artist Charlotte Posenenske (1930-85) developed a form of mass-produced minimalism that addressed the pressing socioeconomic concerns of the 1960s by circumventing the art market and rejecting established formal and cultural hierarchies.

Posenenske exhibited widely during the brief period that she was active as an artist (1956-68), alongside peers such as Hanne Darboven, Donald Judd and Sol LeWitt.

Featuring metallic endpapers that echo her aesthetic, Charlotte Posenenske: Work in Progress traces the evolution of Posenenske's practice from early experiments with mark-making and the transitional aluminum wall reliefs to industrially fabricated modular sculptures produced in unlimited series and assembled or arranged by viewers at will.

From the Back Cover: The catalogue traces the evolution of Posenenske's practice from early experiments with mark making to transitional aluminum wall reliefs to industrially fabricated modular sculptures, which are produced in unlimited series and assembled or arranged by consumers at will.
Posenenske exhibited widely during the brief period [1956-68] that she was active as an artist, alongside peers such as Hanne Darboven, Donald Judd, and Sol LeWitt. Her work is distinguished by its radically open-ended nature: she used permutation and contingency as playful conceptual devices to oppose compositional hierarchy and invite the public to collaborate by reconfiguring her variable sculptures. Embracing reductive geometry, repetition, and industrial fabrication, she developed a form of mass-produced Minimalism that addressed the pressing socioeconomic concerns of the 1960s by circumventing the art market and rejecting established formal and cultural hierarchies.

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Bibliographic Details

Title: Charlotte Posenenske: Work in Progress
Publisher: Verlag der Buchhandlung Walther Konig
Publication Date: 2019
Binding: Hardcover
Condition: Brand New

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hardcover. Condition: Very Good. Hardcover without dust jacket (as issued) in overall very good condition. Cover is clean and crisp. Pages are clean and glossy with no marks, stains or tearing, printed in B&W and color. German Edition. 269 pages. Copyright dated 2019. Please contact us with questions or if you would like to see photographs. We ship every day from a real neighborhood bookstore. This description is written by an actual person, who is holding the book in front of them to make sure it?s properly described. Seller Inventory # F-11712

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Morgan, Jessica (Herausgeber) and Alexis (Herausgeber) Lowry:
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Gr.-8° cased binding. 241 pages with many illustrations. With an chronology by Matilde Guidelli-Guidi and Liz Hirsch.Small scratch on back cover,otherwise very good copy. Sprache: Englisch Gewicht in Gramm: 1100. Seller Inventory # 43438

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(Artist) Charlotte Posenenske, Alexis Lowry, Jessica Morgan, Rita McBride, Catherine Wood, Isabelle Malz, Daniel Spaulding
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Morgan, Jessica; Lowry, Alexis (EDT); Guidelli-Guidi, Matilde (CON); Hirsch, Liz (CON); Malz, Isabelle (CON)
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Morgan, Jessica; Lowry, Alexis (EDT); Guidelli-Guidi, Matilde (CON); Hirsch, Liz (CON); Malz, Isabelle (CON)
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Buch. Condition: Neu. Neuware -The catalogue traces the evolution of Posenenske's practice from early experiments with mark making to transitional aluminum wall reliefs to industrially fabricated modular sculptures, which are produced in unlimited series and assembled or arranged by consumers at will. Posenenske exhibited widely during the brief period [1956-68] that she was active as an artist, alongside peers such as Hanne Darboven, Donald Judd, and Sol LeWitt. Her work is distinguished by its radically open-ended nature: she used permutation and contingency as playful conceptual devices to oppose compositional hierarchy and invite the public to collaborate by reconfiguring her variable sculptures. Embracing reductive geometry, repetition, and industrial fabrication, she developed a form of mass-produced Minimalism that addressed the pressing socioeconomic concerns of the 1960s by circumventing the art market and rejecting established formal and cultural hierarchies. Text: Alexis Lowry, Isabelle Malz, Rita McBride, Jessica Morgan, Charlotte Posenenske, Daniel Spaulding, Catherine WoodKönig, Walther, Dieselstraße 2, 50996 Köln 241 pp. Englisch. Seller Inventory # 9783960986300

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Buch. Condition: Neu. Neuware -The catalogue traces the evolution of Posenenske's practice from early experiments with mark making to transitional aluminum wall reliefs to industrially fabricated modular sculptures, which are produced in unlimited series and assembled or arranged by consumers at will. Posenenske exhibited widely during the brief period [1956-68] that she was active as an artist, alongside peers such as Hanne Darboven, Donald Judd, and Sol LeWitt. Her work is distinguished by its radically open-ended nature: she used permutation and contingency as playful conceptual devices to oppose compositional hierarchy and invite the public to collaborate by reconfiguring her variable sculptures. Embracing reductive geometry, repetition, and industrial fabrication, she developed a form of mass-produced Minimalism that addressed the pressing socioeconomic concerns of the 1960s by circumventing the art market and rejecting established formal and cultural hierarchies. Text: Alexis Lowry, Isabelle Malz, Rita McBride, Jessica Morgan, Charlotte Posenenske, Daniel Spaulding, Catherine Wood 241 pp. Englisch. Seller Inventory # 9783960986300

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Buch. Condition: Neu. Neuware -The catalogue traces the evolution of Posenenske's practice from early experiments with mark making to transitional aluminum wall reliefs to industrially fabricated modular sculptures, which are produced in unlimited series and assembled or arranged by consumers at will. Posenenske exhibited widely during the brief period [1956-68] that she was active as an artist, alongside peers such as Hanne Darboven, Donald Judd, and Sol LeWitt. Her work is distinguished by its radically open-ended nature: she used permutation and contingency as playful conceptual devices to oppose compositional hierarchy and invite the public to collaborate by reconfiguring her variable sculptures. Embracing reductive geometry, repetition, and industrial fabrication, she developed a form of mass-produced Minimalism that addressed the pressing socioeconomic concerns of the 1960s by circumventing the art market and rejecting established formal and cultural hierarchies. Text: Alexis Lowry, Isabelle Malz, Rita McBride, Jessica Morgan, Charlotte Posenenske, Daniel Spaulding, Catherine Wood 241 pp. Englisch. Seller Inventory # 9783960986300

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Buch. Condition: Neu. Neuware -The catalogue traces the evolution of Posenenske's practice from early experiments with mark making to transitional aluminum wall reliefs to industrially fabricated modular sculptures, which are produced in unlimited series and assembled or arranged by consumers at will. Posenenske exhibited widely during the brief period [1956-68] that she was active as an artist, alongside peers such as Hanne Darboven, Donald Judd, and Sol LeWitt. Her work is distinguished by its radically open-ended nature: she used permutation and contingency as playful conceptual devices to oppose compositional hierarchy and invite the public to collaborate by reconfiguring her variable sculptures. Embracing reductive geometry, repetition, and industrial fabrication, she developed a form of mass-produced Minimalism that addressed the pressing socioeconomic concerns of the 1960s by circumventing the art market and rejecting established formal and cultural hierarchies. Text: Alexis Lowry, Isabelle Malz, Rita McBride, Jessica Morgan, Charlotte Posenenske, Daniel Spaulding, Catherine Wood. Seller Inventory # 9783960986300

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