Centre and Periphery, Roots and Exile: Interpreting the Music of Istvan Anhalt, Gyorgy Kurtag, and Sandor Veress
Edited by Friedemann Sallis, Robin Elliott, Kenneth DeLong, and Aaron Dalton.; Introduction by Friedemann Sallis; Contributing authors: Istvan Anhalt, John Beckwith, Rachel Beckles Willson, William Benjamin, Rachelle Chiasson-Taylor, Austin Clarkson, Robin Elliott, Julia Galieva-Szokolay, Alan Gillmor, Dina Lentsner, Stefano Melis, Ulrich Mosch, Jean-Paul Olive, Alvaro Oviedo, Friedemann Sallis, Florian Scheding, Gorden Smith, Gergely Szokolay, and Claudio Veress.
Language: English
Published by Wilfrid Laurier University Press, Waterloo, Ontario, 2011
- Hardcover
- Used
Seller: Andover Books and Antiquities, Andover, MA, U.S.A.Andover Books and Antiquities
AbeBooks seller since August 12, 2004
Condition: Used - Very good
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Add to basketItem description from seller
xviii, 461 pp. LCC: C20119027453.
Seller Inventory # 0210I0161
- Title
- Centre and Periphery, Roots and Exile: Interpreting the Music of Istvan Anhalt, Gyorgy Kurtag, and Sandor Veress
- Author
- Edited by Friedemann Sallis, Robin Elliott, Kenneth DeLong, and Aaron Dalton.; Introduction by Friedemann Sallis; Contributing authors: Istvan Anhalt, John Beckwith, Rachel Beckles Willson, William Benjamin, Rachelle Chiasson-Taylor, Austin Clarkson, Robin Elliott, Julia Galieva-Szokolay, Alan Gillmor, Dina Lentsner, Stefano Melis, Ulrich Mosch, Jean-Paul Olive, Alvaro Oviedo, Friedemann Sallis, Florian Scheding, Gorden Smith, Gergely Szokolay, and Claudio Veress.
- Publisher
- Wilfrid Laurier University Press, Waterloo, Ontario
- Publication year
- 2011
- Condition
- Very good condition.
- Binding
- Hardcover
- Language
- English
- ISBN 10
- 1554581729
- ISBN 13
- 9781554581726
- Seller catalogs
- Faith in a Secular Age and the Second Half of the Twentieth Century: The Gift of Music
In the first section, "Place and Displacement," contributors examine what happens when composers and their music migrate in the culturally complex world of the late twentieth century. The past one hundred years produced record numbers of refugees, and this fact is now beginning to resonate in the study of music. As Anhalt himself forcefully asserts, however, not all composers who emigrate should be understood as exiles. The first chapters of this book explore some of the problems and questions surrounding this issue.
Essays in the second section, "Perspectives on Reception, Analysis, and Interpretation," look at how performing acts of interpretation on music implies bringing the time, place, and identity of the musician, the analyst, and the teacher to bear on the object of study. Like Kodaly, Kurtag considers his work to be "naturally" embedded in Hungarian culture, but he is also a quintessentially European artist. Much of his production--he is one of the twentieth century's most prolific composers of vocal music--involves the setting of Hungarian texts, but in the late 1970s his cultural horizons expanded to include texts in Russian, German, French, English, and ancient Greek. The book explores how musicologists' divergent cultural perspectives impinge on the interpretation of this work.
The final section, "The Presence of the Past and Memory in Contemporary Music," examines the impact time and memory can have on notions of place and identity in music. All living art taps into the personal and collective past in one way or another. The final four chapters look at various aspects of this relationship.
"Synopsis" may belong to another edition of this title.
Andover Books and Antiquities
Andover, MA, U.S.A.
AbeBooks seller since August 12, 2004
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