Capter L'essence Du Spectacle- Un Enjeu De Taille Pour Le Patrimoine Immatériel- Capturing The Essen
Language: English
Published by Peter Lang Ag, 1977
- Softcover
- Used

Condition: Used - Near fine
£ 63.27
Quantity: 1 available
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Attention: Ancien support de bibliothèque, plastifié, étiquettes. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme.
Seller Inventory # 3415202508043ZBX19052016372
- Title
- Capter L'essence Du Spectacle- Un Enjeu De Taille Pour Le Patrimoine Immatériel- Capturing The Essen
- Author
- Leclercq, Nicole
- Publisher
- Peter Lang Ag
- Publication year
- 1977
- Condition
- Bon
- Binding
- Soft cover
- Language
- English
- ISBN 10
- 9052016372
- ISBN 13
- 9789052016375
The challenge of intangible heritage is to capture the essence of performance: the idea of capturing is interesting as it implies that the professionals, involved in SIBMAS, are on a hunt, a hunt in a number of different ways to pin down and preserve something ephemeral and something worth preserving, something that tells us more about ourselves and the world we live in. Some hunters use the database, some the written word, some the camera but all share a common goal: not to let go of a particular moment, a magic moment that only the live event can create.
"Synopsis" may belong to another edition of this title.
About the Author
Laurent Rossion est attaché scientifique aux Archives et Musée de la Littérature à Bruxelles où il travaille les francophonies belge et roumaine. Il a coordonné avec Marc Quaghebeur le volume d'études littéraires Entre aventures, syllogismes et confessions: Belgique, Roumanie, Suisse (Peter Lang, 2003), travaille à une thèse sur l'oeuvre de Paul Willems et publie régulièrement sur ce sujet. Enfin, il est traducteur du roumain et donne des cours à l'Université de Bucarest sur cette matière.
Alan R. Jones dirige la Bibliothèque théâtrale de la Royal Scottish Academy of Music and Drama de Glasgow (Écosse). Titulaire de deux masters (film et télévision, théâtre), il travaille également en tant que journaliste pour la BBC en charge de sujets de culture et de radiodiffusion. En lien avec différents fonds d'archives culturels nationaux d'Écosse, il a en outre monté et dirigé de nombreux événements et expositions de théâtre. En tant que vice-président de la SIBMAS, il a organisé et condut le Congrès 2008 de la SIBMAS à Glasgow. Il s'intéresse principalement à l'étude des spectacles basés sur le multimédia.
The Editors: Nicole Leclercq graduated from INSAS (director) in 1971 and is technical adviser and coordinator of the Theater Department at the Archives & Musée de la Littérature in Brussels. She is the Vice-President of SIBMAS, President of the Belgian Center and General Secretary of the Belgian International Theatre Institute Centre (ITI) and has edited and co-edited a number of bibliographies, the biennial edition of the World of Theatre in French and various other proceedings.
Laurent Rossion is an associate at the AML in Brussels, where he specializes in Belgian and Rumanian French-speaking literatures. He co-edited Entre aventures, syllogismes et confessions: Belgique, Roumanie, Suisse (Peter Lang, 2003) with Marc Quaghe beur; and is currently working on a thesis about Paul Willems and has regularly written articles on this author. Additionally, he is a Rumanian translator and lectures on this subject at the University of Bucarest.
Alan R. Jones is the drama librarian at the Royal Scottish Academy of Music and Drama (RSAMD) based in Glasgow, Scotland. He holds two masters degrees film and television, and theatre - and also works as a journalist for the B.B.C., specialising in arts features and in radio broadcasting. As well as working on various national arts archive collections in Scotland, he has curated and produced a number of performance exhibitions and theatrical events. As vice president of SIBMAS, he organised and chaired SIBMAS Galsgow 2008. He has a particular interest in the study of multimedia-based performance.
"About the title" may belong to another edition of this title.
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