One hundred years after the founding of the �cole Coloniale Sup�rieure in Antwerp, the adjacent Middelheim Museum invites Sandrine Colard, researcher and curator, to conceive an exhibition that probes silenced histories of colonialism in a site-specific way. For Colard, the term Congoville encompasses the tangible and intangible urban traces of the colony, not on the African continent but in 21st-century Belgium: a school building, a park, imperial myths, and citizens of African descent. In the exhibition and this adjoining publication, the concept Congoville is the starting point for 15 contemporary artists to address colonial history and ponder its aftereffects as black fl�neurs walking through a postcolonial city.

Due to the multitude of perspectives and voices, this book is both a catalogue and a reference work comprised of artistic and academic contributions. Together, the participating artists and invited authors unfold the blueprint of Congoville, an imaginary city that still subconsciously affects us, but also encourages us to envision a decolonial utopia.

Een eeuw na de oprichting van de �cole Coloniale Sup�rieure in Antwerpen nodigt het naburige Middelheimmuseum onderzoeker en curator Sandrine Colard uit om een tentoonstelling te cre�ren die sitespecifiek peilt naar de stille geschiedenissen van het kolonialisme. Congoville duidt op de zichtbare en onzichtbare stedelijke sporen van de kolonie, niet op het Afrikaanse continent, maar pal in het Belgi� van vandaag: een schoolgebouw, een park, imperialistische mythes en burgers van Afrikaanse origine. Doorheen de tentoonstelling en deze bijhorende publicatie is Congoville de context waarbinnen 15 hedendaagse kunstenaars, als zwarte fl�neurs op pad in een postkoloniale stad, het koloniale verleden en de impact ervan adresseren.

Door de veelheid aan perspectieven en stemmen is dit boek tegelijk een catalogus en een naslagwerk met zowel academische als artistieke bijdragen. Samen ontvouwen de betrokken kunstenaars en auteurs de blauwdruk van Congoville, een imaginaire stad die ons nog steeds onbewust in haar greep houdt, maar ons ook aanspoort om na te denken over een de-koloniaal utopia.

With contributions by/Met bijdragen van: Pieter Boons, Sandrine Colard, Filip De Boeck, Bas De Roo, Nadia Yala Kisukidi, Sorana Munsya & L�onard Pongo, Herman Van Goethem, Sara Weyns, Nabilla Ait Daoud

Participating artists/Deelnemende kunstenaars: Sammy Baloji, Bodys Isek Kingelez, Maurice Mbikayi, Jean Katambayi, KinAct Collective, Simone Leigh, Hank Willis Thomas, Zahia Rahmani, Ibrahim Mahama, �ngela Ferreira, Kapwani Kiwanga, Sven Augustijnen, Pascale Marthine Tayou, Elisabetta Benassi, P�lagie Gbaguidi

For more information, visit www.middelheimmuseum.be/nl/activiteit/congoville

"Je hebt heel zichtbare sporen van het koloniaal verleden, zoals de school op campus Middelheim, maar er zijn ook heel veel dingen die je niet ziet, bijvoorbeeld het ontbreken van Afrikaanse kunstenaars in onze museumcollectie. Al die zichtbare en onzichtbare dingen samen, heeft Sandrine Colard 'Congoville' genoemd." Herbekijk het gesprek met curator Pieter Boons over 'Congoville'.

About the Authors

Pieter Boons is senior curator of exhibitions in the Middelheim Museum.

Sandrine Colard is curator and assistant professor of African Art History at Rutgers University, Newark.

"About this title" may belong to another edition of this title.

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