From the author of Jimmy Corrigan: The Smartest Kid on Earth comes one of the most acclaimed graphic novels of all time: 14 distinctively discrete Books, Booklets, Magazines, Newspapers, and Pamphlets. • “One of the most important pieces of art I have ever experienced.” —The New Republic

With the increasing electronic incorporeality of existence, sometimes it’s reassuring—perhaps even necessary—to have something to hold on to. Thus within this colorful keepsake box the purchaser will find a fully-apportioned variety of reading material ready to address virtually any imaginable artistic or poetic taste, from the corrosive sarcasm of youth to the sickening earnestness of maturity—while discovering a protagonist wondering if she’ll ever move from the rented close quarters of lonely young adulthood to the mortgaged expanse of love and marriage. Whether you’re feeling alone by yourself or alone with someone else, this book is sure to sympathize with the crushing sense of life wasted, opportunities missed and creative dreams dashed which afflict the middle- and upper-class literary public (and which can return to them in somewhat damaged form during REM sleep).

A pictographic listing of all 14 items (260 pages total) appears on the back, with suggestions made as to appropriate places to set down, forget or completely lose any number of its contents within the walls of an average well-appointed home. As seen in the pages of The New Yorker, The New York Times and McSweeney’s Quarterly Concern, Building Stories collects a decade’s worth of work, with dozens of “never-before-published” pages (i.e., those deemed too obtuse, filthy or just plain incoherent to offer to a respectable periodical).

About the Author

CHRIS WARE is widely acknowledged as the most gifted and beloved cartoonist of his generation by both his mother and seven-year-old daughter. His Jimmy Corrigan: The Smartest Kid on Earth won the Guardian First Book Award and was listed as one of the "100 Best Books of the Decade" by The Times (London) in 2009. An irregular contributor to This American Life and The New Yorker (where some of the pages of this book first appeared) his original drawings have been exhibited in the Whitney Biennial, the Museum of Contemporary Art in Chicago and in piles behind his work table in Oak Park, Illinois.

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