Bridget Riley: Selected Paintings 1961-1999. This item is unavailable.
Language: English
Published by Hatje Cantz, 2000
- Hardcover
- Used
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Seller: Anybook.com, Lincoln, United KingdomAnybook.com
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Hardcover
Condition: Used - Good
£ 43.94
Item description from seller
This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Clean from markings. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1250grams, ISBN:9783775709071.
Seller Inventory # 9876462
- Title
- Bridget Riley: Selected Paintings 1961-1999
- Author
- Krajewski, Michael
- Publisher
- Hatje Cantz
- Publication year
- 2000
- Condition
- Good
- Dust jacket
- Dust Jacket Included
- Binding
- Hardcover
- Language
- English
- ISBN 10
- 377570907X
- ISBN 13
- 9783775709071
- Item weight
- 1,250 grams
- Seller catalogs
- Art
Influential British artist Bridget Riley is in the vanguard of European op-art artists. Having explored the techniques of the neo-Impressionist painter Georges Seurat since the late 1950s, Riley developed her own approach to representing optical phenomena, working first in black, white and grey, and then in colour from 1967. Riley's art hit the very nerve of the time, as may be seen in the adoption of her imagery for commercial purposes both in fashion and graphic design. In this text, examples from Riley's work are used to trace her artistic development from 1961 to 1999. The artist herself has a chance to voice her opinions in interviews with E.H. Gombrich and fellow artist Michael Craig-Martin, as well as in a theoretical text. An essay about her reception in the 1990s completes this retrospective.
"Synopsis" may belong to another edition of this title.
Synopsis
Influential British artist Bridget Riley is in the vanguard of European op-art artists. Having explored the techniques of the neo-Impressionist painter Georges Seurat since the late 1950s, Riley developed her own approach to representing optical phenomena, working first in black, white and grey, and then in colour from 1967. Riley's art hit the very nerve of the time, as may be seen in the adoption of her imagery for commercial purposes both in fashion and graphic design. In this text, examples from Riley's work are used to trace her artistic development from 1961 to 1999. The artist herself has a chance to voice her opinions in interviews with E.H. Gombrich and fellow artist Michael Craig-Martin, as well as in a theoretical text. An essay about her reception in the 1990s completes this retrospective.
"About the title" may belong to another edition of this title.
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