Bridget Riley
Moorhouse, Paul|Shiff, Richard
Language: English
Published by Thames & Hudson|David Zwirner Books, 2015
- Hardcover
- New
Seller: moluna, Greven, Germanymoluna
AbeBooks seller since July 9, 2020
Condition: New
£ 32.77
Quantity: Over 20 available
Add to basketItem description from seller
Published on the occasion of Bridget Riley s major exhibition at David Zwirner in London in the summer of 2014, this title offers intimate explorations of paintings and works on paper produced by the legendary British artist over the past 50 years, focusing.
Seller Inventory # 151167582
- Title
- Bridget Riley
- Author
- Moorhouse, Paul|Shiff, Richard
- Publisher
- Thames & Hudson|David Zwirner Books
- Publication year
- 2015
- Condition
- New
- Binding
- Hardcover
- Language
- English
- ISBN 10
- 0989980979
- ISBN 13
- 9780989980975
"Synopsis" may belong to another edition of this title.
About the Author
Robert Kudielka is an art historian and former Professor of Aesthetics and Philosophy of Art at the University of the Arts, Berlin. He is the co-author with Bridget Riley of Paul Klee: The Nature of Creation, Works, 1914–1940 (2002) and author and editor of numerous books on Riley, including Robert Kudielka on Bridget Riley: Essays and interviews since 1972 (2005; revised and expanded edition, 2014) and The Eye’s Mind: Bridget Riley, Collected Writings 1965–2009 (2009).
Paul Moorhouse is the 20th Century Curator at the National Portrait Gallery in London, where he is responsible for acquisitions, displays, and research relating to the collection within the period from 1914 to 1990. Since 2005, he has organized several exhibitions at the museum, including Pop Art Portraits (2007), Gerhard Richter Portraits (2009), and The Queen: Art and Image (2012). Recent publications include Pop Art Portraits (2007), Anthony Caro: Presence (2010), Bridget Riley: From Life (2010), and A Guide to Twentieth Century Portraits (2013).
Richard Shiff is the Effie Marie Cain Regents Chair in Art at The University of Texas at Austin, where he directs the Center for the Study of Modernism. His publications include Cézanne and the End of Impressionism (1984), Critical Terms for Art History (co-edited, 1996; second edition, 2003), Barnett Newman: A Catalogue Raisonné (co-authored, 2004), Doubt (2008), Between Sense and de Kooning (2011), and Ellsworth Kelly: New York Drawings 1954–1962 (2014), among others. For books published by David Zwirner, Shiff has contributed essays to Dan Flavin: Series and Progressions (2010) and Donald Judd (2011).
"About the title" may belong to another edition of this title.
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