Brass Democracy: : Maroon Ecologies and the Jazz Commons (Music / Culture)

Barson, Benjamin

ISBN 10: 0819501123 / ISBN 13: 9780819501127

Published by Wesleyan University Press, 2024

About this Item

2024. hardcover. . . . . . Books ship from the US and Ireland.

Seller Inventory # V9780819501127

Bibliographic Details

• Title: Brass Democracy: : Maroon Ecologies and the Jazz Commons (Music / Culture)
• Publisher: Wesleyan University Press
• Publication Date: 2024
• Language: English
• ISBN 10: 0819501123
• ISBN 13: 9780819501127
• Binding: Hardcover
• Condition: New

About this title

Synopsis

A new understanding of the birth of jazz through a fine-grained social history of early African American musicians /> />Brassroots Democracy recasts the birth of jazz, unearthing vibrant narratives of New Orleans musicians to reveal how early jazz was inextricably tied to the mass mobilization of freedpeople during Reconstruction and the decades that followed. Benjamin Barson presents a "music history from below," following the musicians as they built communes, performed at Civil Rights rallies, and participated in general strikes. Perhaps most importantly, Barson locates the first emancipatory revolution in the Americas―Haiti―as a nexus for cultural and political change in nineteenth-century Louisiana. In dialogue with the work of recent historians who have inverted traditional histories of Latin American and Caribbean independence by centering the influence of Haitian activists abroad, this work traces the impact of Haitian culture in New Orleans and its legacy in movements for liberation. /> />Brassroots Democracy demonstrates how Black musicians infused participatory music practice with innovative forms of grassroots democracy. Late nineteenth-century Black brass bands and activists rehearsed these participatory models through collective performance that embodied the democratic ethos of Black Reconstruction. Termed 'Brassroots Democracy,' this fusion of political and musical spheres revolutionized both. Brassroots Democracy illuminates the Black Atlantic struggles that informed music-as-world-making from the Haitian Revolution through Reconstruction to the jazz revolution. The work theorizes the roots of the New Orleans brass band tradition in the social relations grown in maroon ecologies across the Americas. Their fruits contributed to the socio-sonic commons of the music we call jazz today.

About the Author

BENJAMIN BARSON is a historian, baritone saxophonist, and political activist. He is an assistant professor of music at Bucknell University. His work has been published in Black Power Afterlives: The Enduring Significance of the Black Panther Party (2020), Routledge Handbook on Jazz and Gender (2021) and Routledge Guide to Ecosocialism (2021).