Brady's Civil War (A Collection of Memorable Civil War Images Photographed by Mathew Brady and His Assistants)

Garrison, Webb

ISBN 10: 1585741221 / ISBN 13: 9781585741229

Published by The Lyons Press, New York, 2000

About this Item

4to, 256 pp.

Seller Inventory # 114239

Bibliographic Details

• Title: Brady's Civil War (A Collection of Memorable Civil War Images Photographed by Mathew Brady and His Assistants)
• Publisher: The Lyons Press, New York
• Publication Date: 2000
• Language: English
• ISBN 10: 1585741221
• ISBN 13: 9781585741229
• Binding: hardcover
• Illustrator: Profusely illustrated
• Edition: 2nd prt.
• Condition: Fine copy in fine dust jacket
• Dust Jacket Condition: Dust Jacket Included
• Seller catalogs:
  • Photography

About this title

Synopsis

In the Civil War era, Matthew Brady and his staff became the country's foremost photographers of battle scenes and military life, traveling widely throughout the warring states with their cameras. Brady, who learned the rudiments of photography from Samuel Morse (the inventor of Morse code), had established his own daguerreotype studio in New York in 1844. By the time of the war, however, Brady was suffering from extremely poor eyesight, so many of the photographs credited to him from this time were in fact taken by his staff. Nonetheless, he amassed a priceless archive of images of the war -- some 6,000 of them -- with subjects as diverse as politicians, military leaders, and soldiers in the field, as well as devastating scenes of carnage and destruction taken shortly after the battles, and portraits of home life during the war. "Brady's Civil War" is, in many ways, the complete realization of Brady's dream of bringing his photographs to the world at large, as it not only offers more than 300 stunning Civil War photographs but also sets the record straight.

From the Back Cover

When, late in 1862, Mathew B. Brady posted a notice on the door of his New York studio reading, "The Dead of Antietam," it caused a sensation. It proclaimed an exhibition of photographs taken by him and his assistants of the aftermath of the bloodiest day in American history. It was the first time that most people witnessed the carnage of the American Civil War, bringing home to them the terrible reality and earnestness of the conflict. In fact, the Civil War was the first to be covered in detail in photographs, and literally thousands of them were taken by Brady and his operatives operating out of New York and Washington, D.C. Before the war, photography itself was still in its infancy, but Brady forged a name for himself as a portrait photographer, choosing as his subjects the country's civilian and military leaders, and foreign dignitaries, and chronicling the nation's history as painters had done before him. As war loomed, Brady planned to document the war on a grand scale and organized a corps of photographers to follow the troops in the field. Spurning the advice of friends who warned him of the battlefield dangers and financial risks, Brady proved with his war scenes that photographs could be more that posed portraits. He established the craft as an art form, such that photographs credited to his studios have inspired countless photographers ever since. Brady Studio teams carried their cameras and darkroom equipment in horse-drawn carts around the camps and the battlefields, recording for posterity the commanders and troopers, the weapons, the pageantry, the triumphs and the suffering of the sick and the wounded, and sadly the death and sheer destruction in the cities and cornfields during the war that pit American against American. For Brady himself, the war proved a financial disaster, and even the sale of his archive some years later could not save him from bankruptcy. In his final years, he said, "No one will ever know what I went through to secure those negatives." He died in 1896, penniless and largely unappreciated. It was not until decades later that his skill and artistry with the camera were acknowledged. Fortunately, many of his images survive, and Brady's Civil War presents a selected collection of them, highlighting their immense creativity and informative value for military enthusiasts as well as readers interested in the art of photography. The text, by Webb Garrison, a successful author on the wide subject of the Civil War, is in the form of incisive and explanatory captions, describing how the camera was taken to the battlefield to create the world's first comprehensive photo-documentation of war.