Black

Pastoureau, Michel

Published by Princeton University Press
ISBN 10: 069113930X / ISBN 13: 9780691139302
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2008. First Edition - First Printing. Hardcover. Black, favorite color of priests and penitents, artists and ascetics, fashion designers and fascists, has always stood for powerfully opposed ideas: authority and humility and sin and holiness. This book discusses the social history of the color black in Europe. It is suitable for those interested in the history of fashion, art, media, or design. Num Pages: 216 pages, 106 color illus. BIC Classification: 1D; ABA. Category: (G) General (US: Trade); (U) Tertiary Education (US: College). Dimension: 246 x 241 x 25. Weight in Grams: 1240. . . . . . Books ship from the US and Ireland. Bookseller Inventory #

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Black--favorite color of priests and penitents, artists and ascetics, fashion designers and fascists--has always stood for powerfully opposed ideas: authority and humility, sin and holiness, rebellion and conformity, wealth and poverty, good and bad. In this beautiful and richly illustrated book, the acclaimed author of Blue now tells the fascinating social history of the color black in Europe.


In the beginning was black, Michel Pastoureau tells us. The archetypal color of darkness and death, black was associated in the early Christian period with hell and the devil but also with monastic virtue. In the medieval era, black became the habit of courtiers and a hallmark of royal luxury. Black took on new meanings for early modern Europeans as they began to print words and images in black and white, and to absorb Isaac Newton's announcement that black was no color after all. During the romantic period, black was melancholy's friend, while in the twentieth century black (and white) came to dominate art, print, photography, and film, and was finally restored to the status of a true color.


For Pastoureau, the history of any color must be a social history first because it is societies that give colors everything from their changing names to their changing meanings--and black is exemplary in this regard. In dyes, fabrics, and clothing, and in painting and other art works, black has always been a forceful--and ambivalent--shaper of social, symbolic, and ideological meaning in European societies.


With its striking design and compelling text, Black will delight anyone who is interested in the history of fashion, art, media, or design.

About the Author: Michel Pastoureau is a historian and director of studies at the École Pratique des Hautes Études de la Sorbonne in Paris. He is the author of many books, including Blue: The History of a Color (Princeton) and The Devil's Cloth: A History of Stripes.

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Title: Black
Publisher: Princeton University Press
Book Condition: New

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Michel Pastoureau
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Book Description Princeton University Press, Princeton, NJ, 2009. Hardcover. Book Condition: As New. Dust Jacket Condition: Near Fine. 1st Edition. 069113930X Hardcover, 2008, Princeton University Press. 1st ed. "Examination copy" stamped to lower edge, otherwise appears flawless, unread, unused. Unclipped DJ with very light edge wear and a few light scratches. Soft crease front flap. 210 pp. Fast shipping, free tracking, superior packaging. Bookseller Inventory # 003634

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Book Description Princeton University Press 10/27/2008, 2008. Hardback or Cased Book. Book Condition: New. Black: The History of a Color. Book. Bookseller Inventory # BBS-9780691139302

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Book Description Princeton University Press, United States, 2009. Hardback. Book Condition: New. Language: English . Brand New Book. Black--favorite color of priests and penitents, artists and ascetics, fashion designers and fascists--has always stood for powerfully opposed ideas: authority and humility, sin and holiness, rebellion and conformity, wealth and poverty, good and bad. In this beautiful and richly illustrated book, the acclaimed author of Blue now tells the fascinating social history of the color black in Europe. In the beginning was black, Michel Pastoureau tells us. The archetypal color of darkness and death, black was associated in the early Christian period with hell and the devil but also with monastic virtue. In the medieval era, black became the habit of courtiers and a hallmark of royal luxury. Black took on new meanings for early modern Europeans as they began to print words and images in black and white, and to absorb Isaac Newton s announcement that black was no color after all. During the romantic period, black was melancholy s friend, while in the twentieth century black (and white) came to dominate art, print, photography, and film, and was finally restored to the status of a true color. For Pastoureau, the history of any color must be a social history first because it is societies that give colors everything from their changing names to their changing meanings--and black is exemplary in this regard. In dyes, fabrics, and clothing, and in painting and other art works, black has always been a forceful--and ambivalent--shaper of social, symbolic, and ideological meaning in European societies. With its striking design and compelling text, Black will delight anyone who is interested in the history of fashion, art, media, or design. Bookseller Inventory # AAU9780691139302

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