The Bigger the Short, the Sweeter the Bottom
Language: Dutch
Published by Stockmans Art Books Jul 2025, 2025
- Softcover
- New
Seller: AHA-BUCH GmbH, Einbeck, GermanyAHA-BUCH GmbH
AbeBooks seller since August 14, 2006
Condition: New
£ 42.67
Quantity: 2 available
Add to basketItem description from seller
Neuware - Using the formalist conventions of an ironic heritage, William Ludwig Lutgens attains the expression of something sincere. Like the philosophical idiot who did his utmost best to unlearn all the fallacies he was acquitted with since birth and now only knows he knows nothing, the artist made the world into his own theater wherein he can stomp around like a bull in a china shop with the grace of a prima ballerina. Forcing a pathway to possible exits by presenting us with the alloy of his observations, imagination and scattershot references. Not merely asking questions, which seems to be the hype in contemporary art nowadays, he is unraveling the framework wherein these questions originate. The image deconstructed by the story of its creation, alternating between the power and impotence of the theatrical madness at the end of the world as we know it. William Ludwig Lutgens presents with his Comedy of Humours the dysfunctional family of man. Text in English and Dutch.
Seller Inventory # 9789464363173
- Title
- The Bigger the Short, the Sweeter the Bottom
- Author
- William Ludwig Lutgens
- Publisher
- Stockmans Art Books Jul 2025
- Publication year
- 2025
- Condition
- Neu
- Binding
- Taschenbuch
- Language
- Dutch
- ISBN 10
- 9464363177
- ISBN 13
- 9789464363173
- Item weight
- 454 grams
- Dimensions
- 270x200x20 mm
- Lavish scenes with expressive, dreamy lines, William Ludwig Lutgen's paintings and overall artistic work is valuable in the pool of today's emerging artists
- Contemporary artist works on all different levels, building a strong foundation for art and the art scene in Antwerp and beyond
- Text in English and Dutch
Using the formalist conventions of an ironic heritage, William Ludwig Lutgens attains the expression of something sincere. Like the philosophical idiot who did his utmost best to unlearn all the fallacies he was acquitted with since birth and now only knows he knows nothing, the artist made the world into his own theatre wherein he can stomp around like a bull in a china shop with the grace of a prima ballerina. Forcing a pathway to possible exits by presenting us with the alloy of his observations, imagination and scattershot references. Not merely asking questions, which seems to be the hype in contemporary art nowadays, he is unraveling the framework wherein these questions originate. The image deconstructed by the story of its creation, alternating between the power and impotence of the theatrical madness at the end of the world as we know it. William Ludwig Lutgens presents with his Comedy of Humours the dysfunctional family of man.
Text in English and Dutch.
"Synopsis" may belong to another edition of this title.
About the Author
William Ludwig Lutgens (°1991) lives and works in Antwerp, Belgium. In his artistic practice, Lutgens works on multiple works at the same time, so that they can grow together creating a cohesive universe leaving the spectator somewhere in a juxtaposition, between the playful and the serious, amusement and discomfort. William Ludwig’s work is a reflection of autobiographical elements combined with social realities, fixations and fantasies as well as human behaviours, urges and lusts. William Ludwig is best known for his drawings and paintings in which he depicts lavish scenes with expressive, dreamy lines. He creates an often burlesque universe that evokes the contrarian spirit of James Ensor, with a biting sense of humour. In addition, he has also been making more spatial work for some time now. Lutgens always tries to form his ideas starting form a drawing, which then quickly derives in another form, such as sculpture, sounds, text and images. William Ludwig Lutgens is versatile as it often emerges as a condensation of the streams of information that flow through his mind and it gradually evolves into a narrative. Trying to create these anecdotes in his signature illustrative style, leaves the viewer often with cultural associations or political issues.
"About the title" may belong to another edition of this title.
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