Bernstein Meets Broadway: Collaborative Art in a Time of War
Language: English
Published by OUP USA, 2014
Series: Book 8 of 18 - Broadway Legacies
- Hardcover
- New
Seller: Kennys Bookstore, Olney, MD, U.S.A.Kennys Bookstore
AbeBooks seller since October 9, 2009
Condition: New
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Add to basketItem description from seller
With an innovative historical framework, Carol J. Oja explores the emergence during World War II of Leonard Bernstein, Jerome Robbins, Betty Comden, and Adolph Green. Series: Broadway Legacies. Num Pages: 416 pages, 50 photographs. BIC Classification: ASDL; AVGM; AVH; JFC. Category: (G) General (US: Trade). Dimension: 245 x 157 x 33. Weight in Grams: 684. . 2014. hardcover. . . . . Books ship from the US and Ireland.
Seller Inventory # KTS0041804
- Title
- Bernstein Meets Broadway: Collaborative Art in a Time of War
- Author
- Oja, Carol
- Publisher
- OUP USA
- Publication year
- 2014
- Condition
- New
- Binding
- Hardcover
- Language
- English
- ISBN 10
- 0199862095
- ISBN 13
- 9780199862092
- Series
- Book 8 of 18: Broadway Legacies
In Bernstein Meets Broadway: Collaborative Art in a Time of War, award-winning author Carol J. Oja explores a youthful Bernstein-a twenty-something composer who was emerging in New York City during World War II. Devising an innovative framework, Oja constructs a wide-ranging cultural history that illuminates how Bernstein and his friends violated artistic and political boundaries to produce imaginative artistic results. At the core of her story are the Broadway musical On the Town, the ballet Fancy Free, and a nightclub act called The Revuers. A brilliant group of collaborators joins Bernstein at center-stage, including the choreographer Jerome Robbins and the writing team of Betty Comden and Adolph Green. With the zeal of youth, they infused their art with progressive political ideals. On the Town focused on sailors enjoying a day of shore leave, and it featured a mixed-race cast, contributing an important chapter to the desegregation of American performance. It projected an equitable inter-racial vision in an era when racial segregation was being enforced contentiously in the U.S. military. The show starred the dancer Sono Osato, even as her father was interned together with so many Japanese Americans. Fancy Free amiably encoded its own dissenting narratives. Based on a controversial painting by Paul Cadmus, it grew out of a complex web of gay relationships.
Rather than chronicling art within like-minded categories, Oja instead explores cross-fertilizations across art forms and high-low divides. She draws on intensive archival research, FBI files, interviews with surviving cast members, and previously untapped criticism in African American newspapers and entertainment-trade journals to shape a compelling story of artistic crossover and wartime exigencies.
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Kennys Bookstore
Olney, MD, U.S.A.
AbeBooks seller since October 9, 2009
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