Beaton: Photographs. Editorial Note by Mark Holborn. Introduction by Annie Leibovitz.
BEATON (CECIL). Holborn (Mark), editorial note. Leibovitz (Annie), introduction.
Language: English
Published by Jonathan Cape, London, 2015
- Hardcover
- Used
Seller: James Hawkes, LONDON, United KingdomJames Hawkes
AbeBooks seller since January 18, 2019
Condition: Used - Very good
£ 125.00
Quantity: 1 available
Add to basketItem description from seller
London: Jonathan Cape, 2015. First edition. Large Quarto (12.5" x 12" format). 354pp.Copiously illustrated throughout with fine full-page photographs, a few in colour. §With six page Editorial Note, four page Introduction, and a five page Chronology to conclude the volume. Original pale gray cloth, pink lettering, blind decoration. A very good copy in a good dustwrapper - latter with some minor cosmetic wear including some black marks to lower edge of rear cover, and several small indentations to front, almost imperceptibly affecting the upper board below. (**PLEASE READ CAREFULLY** - Heavy/overweight item weighing 3.5 kg packed, therefore additional postage will be required for overseas orders - international customers, please ask for a prior shipping quote).
Seller Inventory # 300636
- Title
- Beaton: Photographs. Editorial Note by Mark Holborn. Introduction by Annie Leibovitz.
- Author
- BEATON (CECIL). Holborn (Mark), editorial note. Leibovitz (Annie), introduction.
- Publisher
- Jonathan Cape, London
- Publication year
- 2015
- Condition
- Very Good
- Dust jacket
- Good
- Binding
- Hardcover
- Language
- English
- ISBN 10
- 0224101803
- ISBN 13
- 9780224101806
- Illustrator
- Cecil Beaton
- Item weight
- 3.5 kilograms
- Seller catalogs
- Photography, Art, & Design
Cecil Beaton’s sense of style and his much-celebrated career as a designer for film and stage have overshadowed his position as one of the great photographers of the twentieth century. Beaton’s persona provided a mask that concealed the seriousness of his accomplishment. His career, running from his earliest pictures in the Twenties to his last work in the Seventies, is unparalleled in its historical breadth. By mid-century he had produced an astonishing array of portraits of the greatest creative figures of his time, including Picasso, Gertrude Stein, Lucian Freud and Francis Bacon. In contrast to the flamboyance and artifice of his early work, Beaton later displayed an almost minimalist eye.
Beaton was to become a star on both sides of the Atlantic. He was at home in Hollywood studios as he was in English society. He maintained his role as royal portraitist, photographing the Queen at the same time as he courted the new royalty of the Swinging Sixties. Surprisingly he was commissioned to photograph the set of the film Performance and its star, Mick Jagger in 1968. The film marked the end of an era, as well as Beaton’s last great assignment.
The book is drawn mostly from the 100,000 prints and negatives of the Cecil Beaton Studio Archive at Sotheby’s and follows the definitive monograph of his work during the war years, Theatre of War, published in 2012.
"Synopsis" may belong to another edition of this title.
About the Author
"About the title" may belong to another edition of this title.
James Hawkes
LONDON, United Kingdom
AbeBooks seller since January 18, 2019
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