Beat Drama : Playwrights and Performances of the 'Howl' Generation

Geis, Deborah R. (EDT)

ISBN 10: 1472567889 / ISBN 13: 9781472567888

Published by Methuen Drama, 2016

About this Item

Seller Inventory # 20284675-n

Bibliographic Details

• Title: Beat Drama : Playwrights and Performances of the 'Howl' Generation
• Publisher: Methuen Drama
• Publication Date: 2016
• Language: English
• ISBN 10: 1472567889
• ISBN 13: 9781472567888
• Binding: Hardcover
• Condition: New

About this title

Synopsis

Readers and acolytes of the vital early 1950s-mid 1960s writers known as the Beat Generation tend to be familiar with the prose and poetry by the seminal authors of this period: Jack Kerouac, Gregory Corso, Lawrence Ferlinghetti, Diane Di Prima, and many others. Yet all of these authors, as well as other less well-known Beat figures, also wrote playsand these, together with their countercultural approaches to what could or should happen in the theatreshaped the dramatic experiments of the playwrights who came after them, from Sam Shepard to Maria Irene Fornes, to the many vanguard performance artists of the seventies. This volume, the first of its kind, gathers essays about the exciting work in drama and performance by and about the Beat Generation, ranging from the well-known Beat figures such as Kerouac, Ginsberg and Burroughs, to the Afro-Beats - LeRoi Jones (Amiri Baraka), Bob Kaufman, and others. It offers original studies of the women Beats - Di Prima, Bunny Lang - as well as groups like the Living Theater who in this era first challenged the literal and physical boundaries of the performance space itself.

About the Authors

Deborah R. Geis is Associate Professor of English at DePauw University in Greencastle, Indiana, USA, where she specializes in 20th and 21st-century American literature and drama. She is the author ofPostmodern Theatric(k)s: Monologue in Contemporary American Drama and of Suzan-Lori Parks, and the editor of Approaching the Millennium: Essays on Angels in America (with Steven F. Kruger) and of Considering MAUS: Approaches to Art Spiegelman’s “Survivor’s Tale” of the Holocaust. She is also a published performance poet who has appeared in the National Poetry Slam and in many other venues.

Enoch Brater is the Kenneth T. Rowe Collegiate Professor of Dramatic Literature, Professor of English and Theater at the University of Michigan and the series editor of Methuen Drama's Miller scholarly editions. He has written extensively on the work of Samuel Beckett and Arthur Miller.

Enoch Brater is the Kenneth T. Rowe Collegiate Professor of Dramatic Literature, Professor of English and Theater at the University of Michigan. He is series editor of Methuen Drama's Arthur Miller scholarly editions, and with Mark Taylor-Batty of Methuen Drama's Engage series. He has written extensively on the work of Samuel Beckett and Arthur Miller.

Mark Taylor-Batty is Associate Professor of Theatre Studies and Deputy Head of School in the School of English at the University of Leeds, UK. His previous publications include The Theatre of Harold Pinter (Bloomsbury, 2014), About Pinter: The Playwright and the Work (Faber and Faber, 2005), Roger Blin: Collaborations and Methodologies (Peter Lang, 2007) and, he co-authored with his wife, Juliette Taylor-Batty, Samuel Beckett's Waiting for Godot (Continuum, 2009).