A Barthes Reader

Barthes, Roland

ISBN 10: 0809028158 ISBN 13: 9780809028153
Published by Hill & Wang, 1982
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A Barthes Reader gives one the image of Barthes as one of the great public teachers of our time, someone who thought out, argued for, and made available several steps in a penetrating reflection on language sign systems, texts- and what they have to tell us about the concept of being human. Susan Sontag's prefatory essay is one of her finest acts of criticism, informed by intellectual sympathy and a sure sense of the contours of the mind she is describing.

Review: "Roland Barthes must be counted the most characteristic and important French intellectual of the structuralist generation that gained worldwide attention in the 1960s. Yet as an intellectual authority--"maitre a penser," as the French tend to say--he cut a curious figure. He detested all forms of authority, worried about the power wielded by the teacher, and called his main subject, literature, 'a grand imposture.' He could be assertive, but always in the mode of counterstatement, affirming the inverse of society's accepted dogmas and myths. . . .
"A Barthes Reader" gives one the image of Barthes as one of the great public teachers of our time, someone who thought out, argued for, and made available several steps in a penetrating reflection on language sign systems, texts--and what they have to tell us about the concept of being human. His work is always partial, passionate underneath its cool, and preliminary, ready to be superseded or contradicted, yet its pedagogical power is durable. . . . Susan Sontag's prefatory essay is one of her finest acts of criticism, informed by intellectual sympathy and a sure sense of the contours of the mind she is describing."--Peter Brooks, Yale University

Roland Barthes must be counted the most characteristic and important French intellectual of the structuralist generation that gained worldwide attention in the 1960s. Yet as an intellectual authority--maitre a penser, as the French tend to say--he cut a curious figure. He detested all forms of authority, worried about the power wielded by the teacher, and called his main subject, literature, 'a grand imposture.' He could be assertive, but always in the mode of counterstatement, affirming the inverse of society's accepted dogmas and myths. . . .

A Barthes Reader gives one the image of Barthes as one of the great public teachers of our time, someone who thought out, argued for, and made available several steps in a penetrating reflection on language sign systems, texts--and what they have to tell us about the concept of being human. His work is always partial, passionate underneath its cool, and preliminary, ready to be superseded or contradicted, yet its pedagogical power is durable. . . . Susan Sontag's prefatory essay is one of her finest acts of criticism, informed by intellectual sympathy and a sure sense of the contours of the mind she is describing.--Peter Brooks, Yale University"

Roland Barthes must be counted the most characteristic and important French intellectual of the structuralist generation that gained worldwide attention in the 1960s. Yet as an intellectual authority--maitre a penser, as the French tend to say--he cut a curious figure. He detested all forms of authority, worried about the power wielded by the teacher, and called his main subject, literature, 'a grand imposture.' He could be assertive, but always in the mode of counterstatement, affirming the inverse of society's accepted dogmas and myths. . . .

A Barthes Reader gives one the image of Barthes as one of the great public teachers of our time, someone who thought out, argued for, and made available several steps in a penetrating reflection on language sign systems, texts--and what they have to tell us about the concept of being human. His work is always partial, passionate underneath its cool, and preliminary, ready to be superseded or contradicted, yet its pedagogical power is durable. . . . Susan Sontag's prefatory essay is one of her finest acts of criticism, informed by intellectual sympathy and a sure sense of the contours of the mind she is describing. Peter Brooks, Yale University

"A Barthes Reader" gives one the image of Barthes as one of the great public teachers of our time, someone who thought out, argued for, and made available several steps in a penetrating reflection on language sign systems, texts--and what they have to tell us about the concept of being human. His work is always partial, passionate underneath its cool, and preliminary, ready to be superseded or contradicted, yet its pedagogical power is durable. . . . Susan Sontag's prefatory essay is one of her finest acts of criticism, informed by intellectual sympathy and a sure sense of the contours of the mind she is describing. "Peter Brooks, Yale University""

"Roland Barthes must be counted the most characteristic and important French intellectual of the structuralist generation that gained worldwide attention in the 1960s. Yet as an intellectual authority--maitre a penser, as the French tend to say--he cut a curious figure. He detested all forms of authority, worried about the power wielded by the teacher, and called his main subject, literature, 'a grand imposture.' He could be assertive, but always in the mode of counterstatement, affirming the inverse of society's accepted dogmas and myths. . . .

A Barthes Reader gives one the image of Barthes as one of the great public teachers of our time, someone who thought out, argued for, and made available several steps in a penetrating reflection on language sign systems, texts--and what they have to tell us about the concept of being human. His work is always partial, passionate underneath its cool, and preliminary, ready to be superseded or contradicted, yet its pedagogical power is durable. . . . Susan Sontag's prefatory essay is one of her finest acts of criticism, informed by intellectual sympathy and a sure sense of the contours of the mind she is describing." --Peter Brooks, Yale University

"A Barthes Reader gives one the image of Barthes as one of the great public teachers of our time, someone who thought out, argued for, and made available several steps in a penetrating reflection on language sign systems, texts--and what they have to tell us about the concept of being human. His work is always partial, passionate underneath its cool, and preliminary, ready to be superseded or contradicted, yet its pedagogical power is durable. . . . Susan Sontag's prefatory essay is one of her finest acts of criticism, informed by intellectual sympathy and a sure sense of the contours of the mind she is describing." --Peter Brooks, Yale University

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Bibliographic Details

Title: A Barthes Reader
Publisher: Hill & Wang
Publication Date: 1982
Binding: paperback
Condition: Good

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Barthes, Roland
Published by Hill and Wang, 1982
ISBN 10: 0809028158 ISBN 13: 9780809028153
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Hardcover. Condition: Good. Dust Jacket Condition: Fair. 1st Edition. *Hardcover* Tight binding, some dogeared pages, clean pages with perhaps a light mark in pencil, DJ is in fair condition with some chipping and a couple ~1-inch tears and an adhesive smudge. Introduction by the venerable Susan Sontag. Seller Inventory # ABE-1629987581149

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Barthes, Roland; Sontag, Susan
Published by Hill and Wang, 1982
ISBN 10: 0809028158 ISBN 13: 9780809028153
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Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. One chapter with discrete pencil checkmarks in margins, easy to miss at first glance. Some light scuffing to DJ. Collectible copy. Along with only a handful of other writers, Roland Barthes has set the direction of modern cultural and literary criticism. More than two dozen of his books have appeared in English translation, and several major American writers have heralded his essays as elegant and profound. This book includes his earliest essay (on Gide), his Inaugural Lecture at the Colle`ge de France, and "Deliberation," none of which had previously been published in English. It also offers a broad sampling from the most representative of his major works: On Racine, Writing Degree Zero, Mythologies, Critical Essays, The Pleasure of the Text, Sade/Fourier/Loyola, Roland Barthes by Roland Barthes, Image-Music-Text, A Lover's Discourse, The Eiffel Tower and Other Mythologies, and New Critical Essays. The texts are presented in their entirety, except in the case of a few of the lengthier ones, from which Sontag has chosen substantial key sections. All the selections are eloquently translated, and Sontag's introductory essay-itself an important contribution to Barthes studies-stands as a definitive evaluation and summation of the author and his work. Book. Seller Inventory # 9859

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BARTHES, Roland (SONTAG, Susan, edited, and with an introduction by)
Published by Hill and Wang, New York, 1982
ISBN 10: 0809028158 ISBN 13: 9780809028153
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Hardcover. Condition: Fine. Dust Jacket Condition: Fine. First edition. Illustrated from black and white photographs. Octavo. xxxviii, 495pp. Fine in fine dust jacket. A collection of essays. Seller Inventory # 544548

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Barthes, Roland
Published by Hill and Wang, 1982
ISBN 10: 0809028158 ISBN 13: 9780809028153
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Paperback. Condition: Very Good. Publisher: Hill & Wang, NY., 1982. First Edition, First Printing. FINE- hardcover book in FINE- dust-jacket. Not remainder marked. Not price-clipped. Not a book club edition. Not an ex-library copy. All of our books with dust-jackets are shipped in fresh, archival-safe mylar protective sleeves. Seller Inventory # SKU1020575

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ISBN 10: 0809028158 ISBN 13: 9780809028153
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