Banksy You Are an Acceptable Level of Threat and if You Were Not You Would Know About It. This item is unavailable.
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Language: English
Published by Carpet Bombing Culture, 2019
- Hardcover
- New
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Hardcover
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Seller Inventory # C3-9781908211781
- Title
- Banksy You Are an Acceptable Level of Threat and if You Were Not You Would Know About It
- Author
- Patrick Potter
- Publisher
- Carpet Bombing Culture
- Publication year
- 2019
- Condition
- New
- Binding
- HRD
- Language
- English
- ISBN 10
- 1908211784
- ISBN 13
- 9781908211781
- Item weight
- 1,344 grams
New expanded 248pp 2019 Edition.
The single best collection of photography of Banksy’s street work that has ever been assembled for print. If that isn’t enough there are some words too. You Are An Acceptable Level of Threat covers his entire street art career, spanning the late '90s right up to the ‘Seasons Greetings’ Christmas 2018 piece in Port Talbot, Wales. This new edition includes his self-destructing ‘Love is in the Bin’ intervention, which according to Sotheby's is "the first artwork in history to have been created live during an auction." The groundbreaking ‘Dismaland’ show, his Paris ’68 revisited works, The Walled Off Hotel, Brexit, Cans Festival, Brookyln and Basquiat, as well as new works from Gaza and New York. Also featuring the controversial ‘Cheltenham Spies’ as well as ‘Girl with a Pearl Earring’, ‘Art Buff’ and the spectacular ‘Mobile Lovers’ which appeared outside Bristol Boys Boxing Club.
248 pages featuring his greatest works of art in context.
The single best collection of photography of Banksy’s street work that has ever been assembled for print. If that isn’t enough there are some words too. You Are An Acceptable Level of Threat covers his entire street art career, spanning the late '90s right up to the ‘Seasons Greetings’ Christmas 2018 piece in Port Talbot, Wales. This new edition includes his self-destructing ‘Love is in the Bin’ intervention, which according to Sotheby's is "the first artwork in history to have been created live during an auction." The groundbreaking ‘Dismaland’ show, his Paris ’68 revisited works, The Walled Off Hotel, Brexit, Cans Festival, Brookyln and Basquiat, as well as new works from Gaza and New York. Also featuring the controversial ‘Cheltenham Spies’ as well as ‘Girl with a Pearl Earring’, ‘Art Buff’ and the spectacular ‘Mobile Lovers’ which appeared outside Bristol Boys Boxing Club.
248 pages featuring his greatest works of art in context.
"Synopsis" may belong to another edition of this title.
From the Back Cover
New expanded 248pp 2019 Edition.
The single best collection of photography of Banksy’s street work that has ever been assembled for print. If that isn’t enough there are some words too. You Are An Acceptable Level of Threat covers his entire street art career, spanning the late '90s right up to the ‘Seasons Greetings’ Christmas 2018 piece in Port Talbot, Wales. This new edition includes his self-destructing ‘Love is in the Bin’ intervention, which according to Sotheby's is "the first artwork in history to have been created live during an auction." The groundbreaking ‘Dismaland’ show, his Paris ’68 revisited works, The Walled Off Hotel, Brexit, Cans Festival, Brookyln and Basquiat, as well as new works from Gaza and New York. Also featuring the controversial ‘Cheltenham Spies’ as well as ‘Girl with a Pearl Earring’, ‘Art Buff’ and the spectacular ‘Mobile Lovers’ which appeared outside Bristol Boys Boxing Club.
248 pages featuring his greatest works of art in context.
The single best collection of photography of Banksy’s street work that has ever been assembled for print. If that isn’t enough there are some words too. You Are An Acceptable Level of Threat covers his entire street art career, spanning the late '90s right up to the ‘Seasons Greetings’ Christmas 2018 piece in Port Talbot, Wales. This new edition includes his self-destructing ‘Love is in the Bin’ intervention, which according to Sotheby's is "the first artwork in history to have been created live during an auction." The groundbreaking ‘Dismaland’ show, his Paris ’68 revisited works, The Walled Off Hotel, Brexit, Cans Festival, Brookyln and Basquiat, as well as new works from Gaza and New York. Also featuring the controversial ‘Cheltenham Spies’ as well as ‘Girl with a Pearl Earring’, ‘Art Buff’ and the spectacular ‘Mobile Lovers’ which appeared outside Bristol Boys Boxing Club.
248 pages featuring his greatest works of art in context.
"About the title" may belong to another edition of this title.
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