Bacon
Book 66 of 140: Basic ArtFicacci, Luigi
Sold by World of Books (was SecondSale), Montgomery, IL, U.S.A.
AbeBooks Seller since 20 December 2007
Used - Hardcover
Condition: Used - Good
Ships within U.S.A.
Quantity: 1 available
Add to basketSold by World of Books (was SecondSale), Montgomery, IL, U.S.A.
AbeBooks Seller since 20 December 2007
Condition: Used - Good
Quantity: 1 available
Add to basketItem in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.
Seller Inventory # 00105221114
Largely self-taught as an artist, Francis Bacon (1909–1992) developed a unique ability to transform interior and unconscious impulses into figurative forms and intensely claustrophobic compositions.
Emerging into notoriety in the period following World War II, Bacon took the human body as his nominal subject, but a subject ravaged, distorted, and dismembered so as to writhe with intense emotional content. With flailing limbs, hollow voids, and tumurous growths, his gripping, often grotesque, portraits are as much reflections on the trials and the traumas of the human condition as they are character studies. These haunting forms were also among the first in art history to depict overtly homosexual themes.
About the series
Born back in 1985, the Basic Art Series has evolved into the best-selling art book collection ever published. Each book in TASCHEN’s Basic Art series features:
a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
a concise biography
approximately 100 illustrations with explanatory captions
Luigi Ficacci studied art history in Rome under Giulio Carlo Argan. For many years, he was curator at the Istituto Nazionale per la Grafica in Rome and general museum director (Soprintendente ai Beni Culturali) in Bologna and in Lucca. He also lectured at various Italian universities. Until 2021, he was director of the Central Institute for Restoration (Istituto centrale per il restauro) in Rome. The focal points of his research work are the issues raised by 17th and 18th century and contemporary Italian and European art.
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