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Autobiography Of Red (Cape Poetry)

Anne Carson

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ISBN 10: 0224059734 / ISBN 13: 9780224059732
Published by Jonathan Cape Ltd, 1999
Condition: Good Soft cover
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Bibliographic Details

Title: Autobiography Of Red (Cape Poetry)

Publisher: Jonathan Cape Ltd

Publication Date: 1999

Binding: Paperback

Book Condition:Good

Edition: 1st ed. - may be Reissue.

About this title


In this extraordinary epic poem, Anne Carson bridges the gap between classicism and the modern, poetry and prose, with a volcanic journey into the soul of a winged red monster named Geryon.

There is a strong mixture of whimsy and sadness in Geryon's story. He is tormented as a boy by his brother, escapes to a parallel world of photography, and falls in love with Herakles - a golden young man who leaves Geryon at the peak of infatuation. Geryon retreats ever further into the world created by his camera, until that glass house is suddenly and irrevocably shattered by Herakles' return. Running throughout is Geryon's fascination with his wings, the colour red, and the fantastic accident of who he is.

Autobiography of Red is a deceptively simple narrative layered with currents of meaning, emotion, and the truth about what it's like to be red. It is a powerful and unsettling story that moves, disturbs, and delights.


Anne Carson is a Professor of Classics as well as an innovative and well-regarded poet: Autobiography of Red draws on both in a highly original "novel in verse". But this is by no means a straightforward narrative poem--rather it is a formally inventive and diverse investigation into the nature of story, its inheritance from the past and its transformations of inherited materials. The foreword gives a brief account of the work of the Greek poet Stesichorus, of whose twenty-six books only a few fragments have survived. Stesichorus was a poetic innovator--he disrupted the stable descriptive traditions of oral Homeric poetry and, perhaps equally importantly, reinterpreted epic themes through the medium of lyric verse. It is this which gives the clue to Anne Carson's own reinventions, for concepts of the fragment, innovative language and formal revisioning are key elements of this long and ambitious book.

Among the Stesichorus fragments are parts of a poem known as the "Geryoneis" which deals with the slaying of the winged red monster Geryon by Herakles (Hercules). What is interesting is the fact that many of these fragments deal with the monster's own experiences: instead of the epic struggle, the fable of "culture versus mostrosity", we see Geryon, for example, as a child playing with his dog. Carson extends this frozen moment of youth: as well as translating passages from Stesichorus, she expands, reworks and invents a whole childhood for Geryon, relocating him into a more contemporaneous milieu with him and Herakles as young, strangely antagonistic lovers. The idea of the fragment is taken up in the pastime of the child-monster Geryon--photography, the art of snatching fragments from the real, the lived, the experienced-- and in the language given to Geryon, for Carson fuses the beast with the classical poet so that the fresh descriptive energies of the latter are grafted onto the naive eye of the creature outside of culture.

What Carson achieves is admirable: the book is an exploration of youth and a philosophical project while at the same time formally varied and challenging. In exploring ways of inheriting and responding to a literary past, it also invites us to be more generous with our freedoms and to be creatively ambitious--we should see naively and make the world anew, like Stesichorus, and like Carson's Geryon. --Burhan Tufail

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