The Art Collection of Mr. Alfred Beit at His Residence, 26 Park Lane, London
Language: English
Published by Forgotten Books, 2024
- Softcover
- New
Seller: Forgotten Books, London, United KingdomForgotten Books
AbeBooks seller since June 2, 2021
Condition: New
£ 15.22
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Print on Demand. This book traces the history of private picture and art collections from the 17th century to the present day. The author discusses the motivations behind collecting, the varied provenance of the pieces, and the impact of social and economic changes on collecting culture. This book highlights the diversity of pieces that were acquired and revered by collectors over time and how these collections have shaped our appreciation of diverse artistic traditions. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book.
Seller Inventory # 9780282959012_0
- Title
- The Art Collection of Mr. Alfred Beit at His Residence, 26 Park Lane, London
- Author
- Wilhelm Bode
- Publisher
- Forgotten Books
- Publication year
- 2024
- Condition
- New
- Book Type
- print-on-demand item
- Binding
- Paperback
- Language
- English
- ISBN 10
- 0282959017
- ISBN 13
- 9780282959012
- Seller catalogs
- Painting and Drawing
These words have always been regarded as sulfidmt to establish beyond any doubt, that the picture, which was originally in the Palazzo Torregiani at Florence, is a work of Paolo Veronese. That artist left his native city, Verona, in the year 1555. And subsequently took up his residence in Venice. It is therefore quite possible that he painted in that city a portrait of Alessandro Alberti, who had been banished from Florence. On the whole, however, the picture bears but very little resemblance to the work of this artist. Nor does it correspond with his earlier productions. This is particularly the case as regards his paintings in the Church ofsan Sebastiano in Venice, where he had, about this period. Completed the decoration of the ceiling and pictures for the altar. In opposition to Paolo's generally picturesque colour-effect and treatment, the colour note in this instance is pale yellow, somewhat devoid of expression and blmded if! Rather a hard manner. The drawing, however, is very clear and the execution careful; and in these respects the portrait reminds one of the paintings of Parmegianino or Bronzino, without corresponding exactly to the style of either of these artists. It is, at any rate, from the hand of one of the great Italian masters of the middle of the 15th. Century, but the doubts as to whether it is a genuine Paolo are justified in spite of the signature on the picture. For, apart from other points, even the lettering of Paolo Cagliari's name is different from what we usually find, is somewhat infirm, and suggests that the name migbthave been altered at some later period. Possibly the picture was afterwards restored by a mar: to whom the name of the original artist on the inscription was but little known. And who consequently changed it for-tint of the ferrous Vmetiao painter. Should, however, the inscription prove to be gerrrine, especially as regards the name of the artist, the picture would then represent an early and a very peculiar phase in the development cf Paclo's art.
About the Publisher
Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com
This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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Forgotten Books’ Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the quality of the aged text.
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Forgotten Books publishes hundreds of thousands of rare and classic books.
This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
This text has been digitally restored from a historical edition. Some errors may persist, however we consider it worth publishing due to the work's historical value.
The digital edition of all books may be viewed before purchase if you request a sample.
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