Anachronic Renaissance
NIGEL, Alexander - WOOD, Christopher
Language: English
Published by Zone Books, New York, 2010
Series: Book 18 of 19 - Zone Books
- Hardcover
- Used
Seller: LIBRERIA XODO, Torino, TO, ItalyLIBRERIA XODO
AbeBooks seller since December 8, 2008
Condition: Used
£ 25.75
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Add to basketItem description from seller
In-4°, pp. 455, numerose illustrazioni n.t., tela editoiale con sovracc. illustrata. Ottimo esemplare. Anachronic Renaissance propone una rilettura innovativa del Rinascimento attraverso la categoria dell’anacronismo. L’autore mette in discussione l’idea di un’epoca storicamente coerente e lineare, mostrando come i testi rinascimentali dialoghino costantemente con tempi diversi, passati e futuri. Il saggio analizza opere letterarie e culturali del periodo rinascimentale evidenziando fratture, sopravvivenze e discontinuità temporali, e offrendo così una prospettiva critica che supera le tradizionali periodizzazioni storiche. Il volume si inserisce nel dibattito contemporaneo sulla temporalità dei testi e sulla costruzione del canone.
Seller Inventory # 23409
- Title
- Anachronic Renaissance
- Author
- NIGEL, Alexander - WOOD, Christopher
- Publisher
- Zone Books, New York
- Publication year
- 2010
- Dust jacket
- Dust Jacket Included
- Binding
- Hardcover
- Language
- English
- ISBN 10
- 193540802X
- ISBN 13
- 9781935408024
- Illustrator
- False
- Series
- Book 18 of 19: Zone Books
- Seller catalogs
- 29 ottobre
In this widely anticipated book, two leading contemporary art historians present a stunning reconsideration of the problem of time in the Renaissance. With intellectual brilliance, Alexander Nagel and Christopher S. Wood reexamine the meanings, uses, and effects of chronologies, models of temporality, and notions of originality and repetition in Renaissance images and artifacts.
Anachronic Renaissance reveals a web of paths traveled by works and artists, a landscape obscured by art history’s disciplinary compulsion to anchor its data securely in time. The buildings, paintings, drawings, prints, sculptures, and medals addressed in this book were shaped by concerns about authenticity, about reference to prestigious origins and precedents, and about the implications of transposition from one medium to another. Byzantine icons taken to be early Christian antiquities, the acheiropoeton or image made without hands, the activities of spoliation and citation, differing approaches to art restoration, legends about movable buildings, and forgeries and pastiches: all of these emerge as basic conceptual structures of Renaissance art. The authors show how the complex and layered temporalities of images offered a counterpoint to the linear chronologies that increasingly structured commerce, politics, travel, and everyday life in the fourteenth and fifteenth centuries.
While a work of art does bear witness to the moment of its fabrication, Nagel and Wood argue that it is equally important to understand its temporal instability: how it points away from that moment, backward to a remote ancestral origin, to a prior artifact or image, even to an origin outside of time, in divinity. The authors conclude with an analysis of Roman episodes and projects of the decades around 1500, culminating in Raphael’s Stanza della Segnatura. This book is not the story about the Renaissance, nor is it just a story. It imagines the infrastructure of many possible stories. Clearly, Anachronic Renaissance will be essential reading for historians of Western art and all those concerned with the historiography of material culture.
"Synopsis" may belong to another edition of this title.
About the Author
Christopher S. Wood is Professor in the Department of History of Art, Yale University. He is the author of Albrecht Altdorfer and the Origins of Landscape, and the editor of The Vienna School Reader: Politics and Art Historical Method in the 1930s (Zone Books, 2000).
"About the title" may belong to another edition of this title.
LIBRERIA XODO
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La libreria è gestita dalla Dott.ssa Barbara Xodo, iscritta al Ruolo dei Periti Esperti presso il Tribunale di Torino. La scelta che è stata fatta in questi 10 anni di attività è stata quella di puntare sulla qualità, facendosi guidare dalla curiosità, dalla rarità ma anche dalla particolarità del libro. Viene prestata una particolare attenzione al settore dell'Art Nouveau e Decò, senza tralasciare le antiche edizioni, le belle legature e i libri animati per bambini. Da quest'anno vi si può trovare una buona scelta di stampe di Torino e dintorni. La libreria svolge,inoltre, servizio di consulenza, perizia e stima di libri antichi, divisioni ereditarie e ricerche bibliografiche.…
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