Title: American notes for general circulation. By: Charles Dickens, Illustrated By: C.(Clarkson Frederick) Stanfield (3 December 1793 � " 18 May 1867).: . to North America from January to June 1842.
Publisher: CreateSpace Independent Publishi
Publication Date: 2017
Language: English
ISBN 10: 1981360336
ISBN 13: 9781981360338
Binding: paperback
Condition: Very Good

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Synopsis

American Notes for General Circulation is a travelogue by Charles Dickens detailing his trip to North America from January to June 1842. Whilst there he acted as a critical observer of North American society, almost as if returning a status report on their progress. This can be compared to the style of his Pictures from Italy written four years later, where he wrote far more like a tourist. His American journey was also an inspiration for his novel Martin Chuzzlewit. Having arrived in Boston, he visited Lowell, New York, and Philadelphia, and travelled as far south as Richmond, as far west as St. Louis and as far north as Quebec. The American city he liked best was Boston – "the air was so clear, the houses were so bright and gay. [...] The city is a beautiful one, and cannot fail, I should imagine, to impress all strangers very favourably." Further, it was close to the Perkins Institution and Massachusetts Asylum for the Blind where Dickens encountered Laura Bridgman, who impressed him greatly.... Clarkson Frederick Stanfield RA (3 December 1793 – 18 May 1867) was a prominent English marine painter; he is often though inaccurately called William Clarkson Stanfield......... Charles John Huffam Dickens ( 7 February 1812 – 9 June 1870) was an English writer and social critic. He created some of the world's best-known fictional characters and is regarded by many as the greatest novelist of the Victorian era. His works enjoyed unprecedented popularity during his lifetime, and by the 20th century critics and scholars had recognised him as a literary genius. His novels and short stories enjoy lasting popularity. Born in Portsmouth, Dickens left school to work in a factory when his father was incarcerated in a debtors' prison. Despite his lack of formal education, he edited a weekly journal for 20 years, wrote 15 novels, five novellas, hundreds of short stories and non-fiction articles, lectured and performed extensively, was an indefatigable letter writer, and campaigned vigorously for children's rights, education, and other social reforms. Dickens's literary success began with the 1836 serial publication of The Pickwick Papers. Within a few years he had become an international literary celebrity, famous for his humour, satire, and keen observation of character and society. His novels, most published in monthly or weekly installments, pioneered the serial publication of narrative fiction, which became the dominant Victorian mode for novel publication. The instalment format allowed Dickens to evaluate his audience's reaction, and he often modified his plot and character development based on such feedback. For example, when his wife's chiropodist expressed distress at the way Miss Mowcher in David Copperfield seemed to reflect her disabilities, Dickens improved the character with positive features. His plots were carefully constructed, and he often wove elements from topical events into his narratives. Masses of the illiterate poor chipped in ha'pennies to have each new monthly episode read to them, opening up and inspiring a new class of readers.Dickens was regarded as the literary colossus of his age. His 1843 novella, A Christmas Carol, remains popular and continues to inspire adaptations in every artistic genre. Oliver Twist and Great Expectations are also frequently adapted, and, like many of his novels, evoke images of early Victorian London. His 1859 novel, A Tale of Two Cities, set in London and Paris, is his best-known work of historical fiction. Dickens has been praised by fellow writers—from Leo Tolstoy to George Orwell and G. K. Chesterton—for his realism, comedy, prose style, unique characterisations, and social criticism. On the other hand, Oscar Wilde, Henry James, and Virginia Woolf complained of a lack of psychological depth, loose writing, and a vein of saccharine sentimentalism. ...............

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