The Ambassador's Secret: Holbein and the World of the Renaissance

North, John

ISBN 10: 1852854472 ISBN 13: 9781852854478
Published by Bloomsbury Academic, 2005
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The Ambassadors¿ Secret is a radical reinterpretation of one of the world¿s most famous paintings. Holbein¿s celebrated portrait of two French diplomats at the court of Henry VIII has usually been linked to the political and religious unrest of the day. John North shows that the painting has a very different, and previously undetected, central theme and many other meanings. Far from being random, the objects in The Ambassadors are deliberately, and very accurately, placed. In revealing exactly what they, and the painting, mean, The Ambassadors¿ Secret opens a remarkable window on the world of the Renaissance.

About the Authors:

John North is Emeritus Professor of History of Philosophy and Exact Sciences, University of Groningen, The Netherlands.


John North, Emeritus Professor of the History of Philosophy and the Exact Sciences, University of Groningen, The netherlands and Fellow of the British Academy.

John North is Emeritus Professor of History of Philosophy and Exact Sciences, University of Groningen, The Netherlands.

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Title: The Ambassador's Secret: Holbein and the ...
Publisher: Bloomsbury Academic
Publication Date: 2005
Binding: paperback
Condition: Fair

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North, John and Hans d. Ä. Holbein:
Published by Hambledon and London, 2002
ISBN 10: 1852854472 ISBN 13: 9781852854478
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paperback. Condition: Sehr gut. Edition: Revised. 462 p., illustrated; Pages yellowed due to age, otherwise the copy is in very good condition, free of annotations - Seiten altersbedingt gegilbt, sonst ist das Exemplar in einem sehr guten Zustand, frei von Anstreichungen - Contents - The painter and his worls - portrayal - Provenance and Date A Hidden Meaning? - Hans Holbein - Master Painter - Holbeins First Visit to England - Return to Basel - London Again - Death and Reputation - The two ambassdaors - The World of Diplomacy - Jean de Dinteville - The First London Embassy and the Kings Divorce - The Second Visit to London - Georges de Selve - After Cranmers Judgement - Further Embassies and Final Retreat - Diplomatic Catholics - Nicolaus Kratzer - Astronomy and the Liberal Arts - Wandering Scholar - Thomas More and Oxford - Kratzer and the Continent - Kratzer at Court - The Minds Construction - II - The Painting - S - Lines and Method - On Detecting Anomaly - Instruments for the heavnes - The Celestial Globe and Holbeins Viewpoints - The Globe and the Paintings Perspective - The Setting of the Celestial Globe - The Cylinder Dial - The Compound Solar Instrument - The Quadrant - The Polyhedral Dial - The Polyhedral Dial: What the Painter Saw - The Torquetum - The Mundane Level - The Terrestrial Globe and the Dividers - I he Arithmetic Book and Set-Square - The Musical Instruments - The Hymnal - The dissorted skull - The Scrots Anamorphic Portrait - Skull and Sun - Right and Left Eyes - Technique - Another Anamorph? - Apelles to an abbey Pavement - The Apelles Line - The Gloves Line - The St Michael-Rome Line - The Orb of Instruments, Solomon s Seal - and the White Strip - Hexagram and Moon - The Turkey Rug - The Abbey Pavement and the Form of the Universe - Holbeins Pavement - hints of astrology - The Horoscope Square - The Horoscopes Detail - The Hexagram and the Planets A Note on Golden Section - III. the meaning - shadow and the truth - The Place of the Skull - The Theme of Twenty-Seven - Memento Mori - touched by the ocult ? - Magic and Angels - Metaphors of Spirit - Humanism and Magic - Gematria and the Cabala - Agrippa and the Luxuriance of Occult Belief - An Alchemical Image? - On a Broken String - Rome and the Lyre - Division and the Harmony of the World - Theologies of the Cross - Colet, More and the Sun - More and the Crucifixion - Luthers Theology of the Cross - Symbols of the Millennium - Ram, Cross and Creation - Cygnus and the Cross - The Rituals of Good Friday - Fears for the Mid-Millennium - On Painters and Authors - A Shared Tradition? - Chaucer at the Court of Henry vm - The True Author - Apelles and Clio - Appendix I: Piero della Francescas Baptism of Christ - Appendix II: The Compound Solar Instrument - Appendix III: Rabanus Maurus and Solomons Throne Appendix IV: Holbein and Chaucer Compared - Appendix V: The Celestial Globe and the Northern Cross. ISBN 9781852854478 Sprache: Englisch Gewicht in Gramm: 410. Seller Inventory # 1214691

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North, John
Published by Bloomsbury Academic, New York, 2004
ISBN 10: 1852854472 ISBN 13: 9781852854478
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Paperback. Condition: Fine. Revised Edition. B&W and Color; 7.6 X 5.0 X 1.4 inches; xviii, 462 pages; Soft cover has green spine with white lettering. Shallow spine crease from gentle use. Pages are clean and tight. Illustrated with 11 color plates and 82 b/w pictures. One of the most fascinating portraits! ! ! So easy to become mesmerized by it, and be lost in its mysteries and depths for hours on end [as I have, many, many times]. ' The Ambassadors--the famous portrait of two diplomats visiting Henry VIII's court in London 1533--has long been celebrated by art historians. Traditionally the painting has been seen as representing the political and religious unrest of its day. Now, historian John North, author of Stonehenge: A New Interpretation of Prehistoric Man and the Cosmos, once again uses his investigative skills to reinterpret history. In this radical reinterpretation of the painting John North shows that the work has a very different and previously undetected, central theme. Far from being random, the objects are very deliberately placed. Part international riddle, part art history, and part French history, the book opens a remarkable window on the world of the Renaissance. ' 4 appendices; notes; bibliography; index. Seller Inventory # 13244

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North, John
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ISBN 10: 1852854472 ISBN 13: 9781852854478
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