The Actor and His Body. This item is unavailable.
Pisk, Litz [ Foreword By Michael Elliott ]
21 ratings by Goodreads
Language: English
Published by Virgin Books, London, 1990
Series: Book 11 of 27 - Theatre Makers
- Softcover
- Used

Seller: Works on Paper, DeKalb, IL, U.S.A.Works on Paper
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AbeBooks seller since October 1, 2003
Unavailable
Softcover
Condition: Used - Very good
£ 3.47
Item description from seller
A very good copy of the softcover edition. Previous owner's name and date i ink atop front endsheet. The text is wholly unmarked, pristine, and the binding is bright and fresh in appearance. A lovely copy.
Seller Inventory # 010573
- Title
- The Actor and His Body
- Author
- Pisk, Litz [ Foreword By Michael Elliott ]
- Publisher
- Virgin Books, London
- Publication year
- 1990
- Condition
- Very Good
- Binding
- Soft cover
- Language
- English
- ISBN 10
- 0245527214
- ISBN 13
- 9780245527210
- Series
- Book 11 of 27: Theatre Makers
A guide to body movement in acting.
"Synopsis" may belong to another edition of this title.
Review
Those of us who were fortunate enough to be taught by Litz will never forget the inspiration she gave us. Through her movement work Litz made an extraordinary contribution to the theatre...A unique teacher of movement, an inspiring movement director, this book gives an insight into the seminal work of Litz Pisk - --Jane Gibson, former Head of Movement, National Theatre
No one who worked with the movement teacher Litz Pisk, either as actor or student, will ever forget the sheer theatrical impact of her own movement, at once dynamic and sculptural, intense and totally possessed. - --George Hall, former Head of Acting, Central School of Speech and Drama
Litz Pisk was a theatre visionary who introduced to the field of actors' movement a startlingly new approach, which remains ground-breaking to this day. With her background in the visual arts, Litz Pisk viewed the actor's body as a piece of dynamic sculpture capable of expressing to the audience people and places they had never known. However, a special kind of physical training was necessary before the actor could reach 'a state of readiness' where the body could respond totally to the imagination. In these pages, we begin to gain an insight into how Litz Pisk went about achieving this. - --Sue Lefton, Movement Director and Teacher
No one who worked with the movement teacher Litz Pisk, either as actor or student, will ever forget the sheer theatrical impact of her own movement, at once dynamic and sculptural, intense and totally possessed. - --George Hall, former Head of Acting, Central School of Speech and Drama
Litz Pisk was a theatre visionary who introduced to the field of actors' movement a startlingly new approach, which remains ground-breaking to this day. With her background in the visual arts, Litz Pisk viewed the actor's body as a piece of dynamic sculpture capable of expressing to the audience people and places they had never known. However, a special kind of physical training was necessary before the actor could reach 'a state of readiness' where the body could respond totally to the imagination. In these pages, we begin to gain an insight into how Litz Pisk went about achieving this. - --Sue Lefton, Movement Director and Teacher
"About the title" may belong to another edition of this title.