[THE ABORIGINAL PORT FOLIO]

Lewis, James Otto

Published by Printed by Lehman & Duval, published by the author, [Philadelphia, 1836
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Three letterpress broadside prospectus "Advertisement" leaves to parts 1-3 bound at the front. Seventy-two handcolored lithographic plates after Lewis, printed by Lehman & Duval. Folio, 16 3/4 x 10 3/4 inches. Expertly bound to style in black half morocco incorporating contemporary marbled paper- covered boards, spine ruled in gilt, stamped in gilt "Aboriginal Portfolio." Contemporary marbled endpapers, original blue paper printed front wrapper to part No. 7, dated November 1835, bound in at the front, blank blue paper rear wrapper bound in at the rear. The plate titled "Kee-o-kuck" with outer margin repaired on verso. Very good. In black and tan fabric clamshell box, spine gilt. One of the rarest 19th-century American color plate books and the first major American color plate book on American Indians, here including the three very rare prospectus leaves and the original wrappers for part seven. THE ABORIGINAL PORT FOLIO represents the first attempt at a collection of portraits of North American Indians, preceding the works of Catlin, and McKenney and Hall. It is one of the earliest large projects in American color printing, and one of the first large visual works to deal with subjects beyond the east coast of the United States. James O. Lewis was born in Philadelphia in 1799, moved west as a teenager, and had become an engraver and painter by the time he was living in St. Louis in 1820. In 1823 he moved to Detroit, and painted the first of his Indian portraits at the request of Gov. Lewis Cass of Michigan. He accompanied Cass on four Indian treaty expeditions in the Great Lakes region in 1825-27 and painted Indians during the course of each. Virtually all of the originals of the images published here were executed by Lewis in this period. Subsequently, many of the Lewis portraits were copied by Charles Bird King, and some appeared in the King versions in the McKenney and Hall portfolio. All of the Lewis originals were destroyed in the Smithsonian fire of 1865. THE ABORIGINAL PORT FOLIO was published in Philadelphia by lithographers George Lehman and Peter S. Duval. It was issued in ten parts, with each part containing eight plates. Given the size of the undertaking, the first nine parts were issued remarkably quickly, appearing monthly between May 1835 and January 1836. The reason for this haste is probably that Lewis was aware that the imminent appearance of the first part of McKenney and Hall's HISTORY OF THE INDIAN TRIBES OF NORTH AMERICA would adversely affect his subscriber numbers. The evidence of the surviving copies suggests that his fears were well-founded, as there are a number of sets made up from eight parts (with sixty-four plates), but very few with nine parts (seventy-two plates, as here); and ten- part sets with the full complement of a frontispiece/title-leaf and eighty plates are virtually never found: only two copies (including the Siebert copy) are listed as having sold at auction in the past twenty- five years, and there are only about a half dozen or so other recorded sets (the Siebert set, and two others, are the only two examples to include the titlepage). A landmark volume in the history of American printing, and the depiction of Native Americans. BENNETT, p.68. EBERSTADT 131:418. FIELD 936. HOWES L315, "b." SABIN 40812. REESE, STAMPED WITH A NATIONAL CHARACTER 23. Seller Inventory # WRCAM23483M

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Title: [THE ABORIGINAL PORT FOLIO]
Publisher: Printed by Lehman & Duval, published by the author, [Philadelphia
Publication Date: 1836

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James Otto Lewis
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Leatherbound. Condition: NEW. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Reprinted from 1838 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set and contains approximately 32 pages. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: English. Seller Inventory # LB100153941029

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Leatherbound. Condition: NEW. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 102. A perfect gift for your loved ones. Reprinted from 1839 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: English Pages: 102. Seller Inventory # LB100154939319

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Leatherbound. Condition: NEW. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 374. A perfect gift for your loved ones. Reprinted from 1836 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: English Pages: 374. Seller Inventory # LB100153820697

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Lewis, James Otto.
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Leather Bound. Condition: New. Language: English. This book is available in 5 different Leather color without any extra cost. Explore More Options by Clicking on 'More Images' and Notify Us of Your Choice via Email within 24 hours of placing the order. Presenting an Exquisite Leather-Bound Edition, expertly crafted by the prestigious organization "Rare Biblio" with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1839. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - English, Pages: - 102, Print on Demand. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 102. Seller Inventory # LB1111009478746

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Lewis, James Otto.
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Leather Bound. Condition: New. Language: English. This book is available in 5 different Leather color without any extra cost. Explore More Options by Clicking on 'More Images' and Notify Us of Your Choice via Email within 24 hours of placing the order. Presenting an Exquisite Leather-Bound Edition, expertly crafted by the prestigious organization "Rare Biblio" with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1836. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - English, Pages: - 191, Print on Demand. If it is a multi-volume set, then it is only a single volume. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 191. Seller Inventory # LB1111010842171

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Full Leather Bound. Condition: New. Language: English. {Size: 14.60 x 22.86 cms} A Unique Premium Leather-Bound book for elite readers/collectors of old rare books. An Original Leather is being used for binding this book with Golden Leaf Printing and designing on Spine, front and Back of the book with edge gilding. WE HAVE MULTIPLE OPTIONS IN COLOR OF LEATHER RED, GREEN, BLUE, MAGENTA, TAN, DEEP BROWN, BLACK AND WITH DIFFERENT COLOR LABELS. YOU MAY CHOOSE ANY COLOR OF YOUR CHOICE AND MAIL US. Original edition was published in [1836] and this unique edition is Reprinted in 2024 with the help of original edition. Black & white printing on high quality natural shade paper with sewing binding for longer life, professionally processed without changing its contents. As these are old books, we processed each page manually on computer and make them readable. We give our best to give you the best book but in some cases we have to adjust few pages which are blur or missing or black spots. If it is multi volume set, then it is only single volume. We hope that you understand these issues in these old treasure. This is an important book for the readers who want to know more about our old treasure. Our dedicated team is trying to bring these rare books back to the shelves. We are also giving service of printing the hard-to-find books which are not listed in our store. Hope you will like it and give your comments and suggestions. Lang: - English, Pages 191, Print on Demand. Product Disclaimer: Please be aware that because leather is a natural material, slight discoloration or change in texture may be visible. {FOLIO EDITION (Size 12x19 Inches) IS ALSO AVAILABLE ON REQUEST}. [Please Note:- 3 Page Text Break, Text Blur] 191. Seller Inventory # SD1111010842171

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LEWIS, James Otto (1799-1858)
Used Folio First Edition

Seller: Donald A. Heald Rare Books (ABAA), New York, NY, U.S.A.

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Folio. (18 1/2 x 11 inches). First edition. Blue paper wrapper for May 1835 issue No.1, letterpress prospectus "Advertisement to the First Number" (verso blank), letterpress prospectus "Advertisement to the Third Number" (verso blank), 72 hand-colored lithograph plates, blue paper wrappers for nos. 3, 4, 5, 6, 8, and 9 bound-in at rear. No. 9 with contemporary pencilled manuscript dating. Expertly bound to style in brown half morocco over contemporary marbled paper-covered boards, the flat spine divided into six compartments by double gilt fillets, lettered in gilt in the second compartment [ABORIGINAL | PORTFOLIO] One of the rarest 19th-century American color plate books and the first important series of Native American portraits to be published in the United States. Lewis captures granular visual details of these indigenous leaders, but also their individual grandeur; Lewis's subjects stare back at the viewer possessedly across two hundred years of dispossession. "Lewis is about to publish in numbers, a collection of Indian lithographic portraits taken by him during a residence of about fifteen years among the various tribes of the west. He has succeeded in obtaining numerous portraits, all of which are remarkably true to nature. Some of the lithographs we have examined, and we are sure that they are well calculated to excite interest." - St. Louis Commercial Bulletin, May 18, 1835. The Aboriginal Portfolio is the first published portrait collection of prominent Native American leaders, made "on the spot and in the field." It precedes and is rarer than George Catlin's North American Indian Portfolio, Maximilian's Reise in das Innere Nord-America, and Thomas L. McKenney and James Hall's History of the Indian Tribes (itself deriviative of Lewis, using 27 of his portraits). The Portfolio is one of the earliest extended, monumental projects in American hand-colored lithography, and one of the first thorough works to document a subject beyond the East Coast of the United States. At a time when westward expansion, European influence, and reactionary US government policies were irreversibly reshaping Native communities, Lewis embarked on a mission to commemorate and record their diversity and heritage. The plates depict eminent chiefs and notable tribal members in distinguished poses with great detail, the portraits imbued with personality, recording their mode of dress, face paint, jewelry, weapons, and other accoutrements. Below each likeness is the name of the sitter along with their rank and tribal affiliation, which include, among others, Sioux, Miami, Chippawa, Ioway, Shawnee, Pottowattomie, Winnebago, Monomonie, Ottawa, Fox, and Sac. James Otto Lewis was born in Philadelphia in 1799, and went west with a theatrical troupe at the age of sixteen. In St. Louis he began working as an engraver and miniature portraitist. There he met the painter Chester Harding (1792-1866) whose popular depiction of Daniel Boone is the only portrait for which Boone is known to have sat. Lewis engraved this portrait for Harding; only one example survives and it is the earliest known print made west of the Mississippi. Lewis then lived in Detroit, where, in 1823, the governor of Michigan Lewis Cass asked him to paint Tens-qua-ta-wa, a Shawnee prophet in an official diplomatic delegation to the city (plate 67). Cass sent this portrait to the Superintendent of Indian Affairs, and a later competitior to Lewis, Thomas L. McKenney, and suggested Lewis be given $200 and be named an official government portraitist of Indian councils in the Great Lakes region. In this position, Lewis attended many treaty councils, including those at Prairie du Chien (plate 17) and Butte des Mort (plate 49). The Aboriginal Portfolio grows out of the drawings and paintings Lewis executed at these official councils. Subsequently, Lewis's depictions found wide circulation, in part due to copies by artists such as Charles Bird King. The original watercolors for Lewis's portraits in the. Seller Inventory # 41454

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LEWIS, James Otto (1799-1858).
Used Hardcover First Edition

Seller: Arader Galleries - AraderNYC, New York, NY, U.S.A.

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Half-Leather. Condition: Very Good. 1st Edition. Folio (38.5 x 28 cm.): total of 57 hand-colored lithographed plates mounted on stubs, bound in three-quarters red morocco, the upper cover gilt stamped "Aboriginal Port-Folio/James O. Lewis" (cover sunned, the spine dried and scuffed and with a detached portion present, the hinges strengthened). Contents comprise a manuscript title page in color listing the three 19th century editions of the book (1836/1840/1853); the title page, several text leaves and two hand-colored lithographed plates from the 1853-1856 New York edition published by N. Currier; approximately fifty-five hand-colored lithographed plates from the 1835-36 Philadelphia first edition published by Lehman & Duval; an original oil painting, "Indian Squaw with her Papoose," by G. Albert Lewis (ca. 1844) inlaid at front and measuring 10 x 6 3/4 inches; and two manuscript leaves in the hand of G. Albert Lewis, the first a letter dated 1902 explaining the oil painting present here and the second a manuscript biography of James Otto Lewis, each measuring approximately 38.5 x 28 cm. (15 x 10 7/8 inches). The title, text and first print from the 1853 edition trimmed and inlaid to larger sheets, the second print from this edition laid-in, both are trimmed close to image and somewhat worn; most plates generally clean but with some spotting and occasional marks, a few worn and one with a marginal repair, some trimmed close with loss of imprint, a few strengthened on the verso, some show-through of adhesive from mounting. PROVENANCE: By descent in the family of James Otto Lewis' brother John Frederick Lewis (1791-1858), both the sons of Hessian soldier Johann Andreas Philipp Ludwig who had come to America in 1777. Later in the 19th century the book descended to George Albert Lewis, compiler of the volume, and ultimately from Frederick Lewis Allen to his son Oliver Ellsworth Allen. A LARGE GROUP OF RARE FIRST EDITION PLATES WITHIN A FAMILY COPY OF LEWIS'S SEMINAL ABORIGINAL PORT-FOLIO, THE "FIRST ATTEMPT MADE IN THE UNITED STATES AT A LARGE SCALE WORK DEVOTED TO THE AMERICAN INDIAN" (REESE). Lewis began publishing the work in 1835, promising 10 parts with 8 images each, but the work was not a financial success, and most copies of the work present today do not contain the full complement of plates issued. Present here are about 55 plates from that edition. Lewis's portfolio is the pioneering work of a genre and was in production in the United States before those by of McKenney & Hall and George Catlin. The present copy also contains the title, preface, and the text descriptions that accompanied the six plates issued with the 1853 New York third American edition of the book, a notable rarity in itself as no copy of this edition appears in the auction record (of the 1844 2nd edition only two copies appear in the auction record). Lastly, the original oil painting mounted in the volume, "Indian Squaw and her Papoose," was painted in 1844 by G. Albert Lewis, nephew of James Otto Lewis, and in the letter Lewis reports that this painting was rolled up with the original plates given to him as a youth and was inserted "in this new bound volume, as a relic of childhood's days, and want of thought of the future value of such original pictures of these now fast perishing Indians of our country." REFERENCES: Field 936; Howes L315; Reese 23; Sabin 40812. Book. Seller Inventory # 72JFP038

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Lewis, James Otto:

Seller: William Reese Company - Americana, New Haven, CT, U.S.A.

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One of the rarest 19th-century American color plate books and the first major American color plate book on American Indians, here including the three very rare prospectus leaves and the original wrappers for part seven. THE ABORIGINAL PORT FOLIO represents the first attempt at a collection of portraits of North American Indians, preceding the works of Catlin, and McKenney and Hall. It is one of the earliest large projects in American color printing, and one of the first large visual works to deal with subjects beyond the east coast of the United States. James O. Lewis was born in Philadelphia in 1799, moved west as a teenager, and had become an engraver and painter by the time he was living in St. Louis in 1820. In 1823 he moved to Detroit, and painted the first of his Indian portraits at the request of Governor Lewis Cass of Michigan. He accompanied Cass on four Indian treaty expeditions in the Great Lakes region in 1825-27 and painted Indians during the course of each. Virtually all of the originals of the images published here were executed by Lewis in this period. Subsequently, many of the Lewis portraits were copied by Charles Bird King, and some appeared in the King versions in the McKenney and Hall portfolio. All of the Lewis originals were destroyed in the Smithsonian fire of 1865. THE ABORIGINAL PORT FOLIO was published in Philadelphia by lithographers George Lehman and Peter S. Duval. It was issued in ten parts, with each part containing eight plates. Given the size of the undertaking, the first nine parts were issued remarkably quickly, appearing monthly between May 1835 and January 1836. The reason for this haste is probably that Lewis was aware that the imminent appearance of the first part of McKenney and Hall's HISTORY OF THE INDIAN TRIBES OF NORTH AMERICA would adversely affect his subscriber numbers. The evidence of the surviving copies suggests that his fears were well-founded, as there are a number of sets made up from eight parts (with sixty-four plates), but very few with nine parts (seventy-two plates, as here); and ten-part sets with the full complement of a frontispiece/title-leaf and eighty plates are virtually never found: only two copies (including the Siebert copy) are listed as having sold at auction in the past twenty-five years, and there are only about a half dozen or so other recorded sets (the Siebert set, and two others, are the only two examples to include the titlepage). A landmark volume in the history of American printing, and the depiction of Native Americans. BENNETT, p.68. EBERSTADT 131:418. FIELD 936. HOWES L315, "b." SABIN 40812. REESE, STAMPED WITH A NATIONAL CHARACTER 23. Folio, 16¾ x 10¾ inches. Contemporary marbled boards, rebacked and recornered in morocco, spine gilt. Contemporary marbled endpapers, original printed front wrapper to part No. 7, dated November 1835, bound in at the front, blank rear wrapper bound in at the rear. The plate titled "Kee-o-kuck" with outer margin repaired on verso. Very good. In black and tan fabric clamshell box, spine gilt. Seller Inventory # 58361

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