THIS TEXT IS NOT DESIGNED as a linear biography, nor
is it a simple collection of verse. It is a hybrid engine-a mecha-
nism constructed to navigate the liminal space between histori-
cal fact and mythic resonance.
The architecture of this work relies on a deliberate collision be-
between narrative prose and hyper-metric poetry. The prose chap-
ters serve as the forensic framework, establishing the timeline,
the "crime scene," and the sociological context of the 1960s
counterculture. They are the walls of the maze. The poems, how-
ever, function as the subconscious interruptions-the "Chorus
" Of Dissent" speaks to the internal, emotional reality of the
subject. Where the biography explains what happened, the poet-
His attempts to articulate why it felt like a haunting.
This book represents the second movement in a larger metaphys-
ical journey.
The arc began in THE FRAUD OF ETERNITY, which estab-
published the existential compost-the raw, chaotic realization that
time is a predator and legacy is a lie. In that collection, we ex-
plored the internal fragmentation of the self.
Now, in LOST IN THE LABYRINTH, we apply that lens to
a specific external archetype: Jim Morrison. We use his rise, his
"Solar Equation" and his eventual destruction as a case study
in the failure of the Romantic ideal.
He is the Avatar of the Fraud, a man who tried to break through,
only to find the door was painted on a brick wall.
"synopsis" may belong to another edition of this title.
Seller: Grand Eagle Retail, Bensenville, IL, U.S.A.
Paperback. Condition: new. Paperback. THIS TEXT IS NOT DESIGNED as a linear biography, nor is it a simple collection of verse. It is a hybrid engine-a mecha-nism constructed to navigate the liminal space between histori-cal fact and mythic resonance.The architecture of this work relies on a deliberate collision be-between narrative prose and hyper-metric poetry. The prose chap-ters serve as the forensic framework, establishing the timeline, the "crime scene," and the sociological context of the 1960s counterculture. They are the walls of the maze. The poems, how-ever, function as the subconscious interruptions-the "Chorus " Of Dissent" speaks to the internal, emotional reality of the subject. Where the biography explains what happened, the poet-His attempts to articulate why it felt like a haunting.This book represents the second movement in a larger metaphys-ical journey.The arc began in THE FRAUD OF ETERNITY, which estab-published the existential compost-the raw, chaotic realization that time is a predator and legacy is a lie. In that collection, we ex-plored the internal fragmentation of the self.Now, in LOST IN THE LABYRINTH, we apply that lens to a specific external archetype: Jim Morrison. We use his rise, his "Solar Equation" and his eventual destruction as a case study in the failure of the Romantic ideal.He is the Avatar of the Fraud, a man who tried to break through, only to find the door was painted on a brick wall. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9798232021092
Seller: California Books, Miami, FL, U.S.A.
Condition: New. Seller Inventory # I-9798232021092
Seller: Rarewaves.com USA, London, LONDO, United Kingdom
Paperback. Condition: New. Seller Inventory # LU-9798232021092
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Seller: PBShop.store UK, Fairford, GLOS, United Kingdom
PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000. Seller Inventory # L2-9798232021092
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Seller: AHA-BUCH GmbH, Einbeck, Germany
Taschenbuch. Condition: Neu. Neuware - THIS TEXT IS NOT DESIGNED as a linear biography, nor is it a simple collection of verse. It is a hybrid engine-a mecha-nism constructed to navigate the liminal space between histori-cal fact and mythic resonance.The architecture of this work relies on a deliberate collision be-between narrative prose and hyper-metric poetry. The prose chap-ters serve as the forensic framework, establishing the timeline, the 'crime scene,' and the sociological context of the 1960s counterculture. They are the walls of the maze. The poems, how-ever, function as the subconscious interruptions-the 'Chorus ' Of Dissent' speaks to the internal, emotional reality of the subject. Where the biography explains what happened, the poet-His attempts to articulate why it felt like a haunting.This book represents the second movement in a larger metaphys-ical journey.The arc began in THE FRAUD OF ETERNITY, which estab-published the existential compost-the raw, chaotic realization that time is a predator and legacy is a lie. In that collection, we ex-plored the internal fragmentation of the self.Now, in LOST IN THE LABYRINTH, we apply that lens to a specific external archetype: Jim Morrison. We use his rise, his 'Solar Equation' and his eventual destruction as a case study in the failure of the Romantic ideal.He is the Avatar of the Fraud, a man who tried to break through, only to find the door was painted on a brick wall. Seller Inventory # 9798232021092
Seller: AussieBookSeller, Truganina, VIC, Australia
Paperback. Condition: new. Paperback. THIS TEXT IS NOT DESIGNED as a linear biography, nor is it a simple collection of verse. It is a hybrid engine-a mecha-nism constructed to navigate the liminal space between histori-cal fact and mythic resonance.The architecture of this work relies on a deliberate collision be-between narrative prose and hyper-metric poetry. The prose chap-ters serve as the forensic framework, establishing the timeline, the "crime scene," and the sociological context of the 1960s counterculture. They are the walls of the maze. The poems, how-ever, function as the subconscious interruptions-the "Chorus " Of Dissent" speaks to the internal, emotional reality of the subject. Where the biography explains what happened, the poet-His attempts to articulate why it felt like a haunting.This book represents the second movement in a larger metaphys-ical journey.The arc began in THE FRAUD OF ETERNITY, which estab-published the existential compost-the raw, chaotic realization that time is a predator and legacy is a lie. In that collection, we ex-plored the internal fragmentation of the self.Now, in LOST IN THE LABYRINTH, we apply that lens to a specific external archetype: Jim Morrison. We use his rise, his "Solar Equation" and his eventual destruction as a case study in the failure of the Romantic ideal.He is the Avatar of the Fraud, a man who tried to break through, only to find the door was painted on a brick wall. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. Seller Inventory # 9798232021092
Seller: CitiRetail, Stevenage, United Kingdom
Paperback. Condition: new. Paperback. THIS TEXT IS NOT DESIGNED as a linear biography, nor is it a simple collection of verse. It is a hybrid engine-a mecha-nism constructed to navigate the liminal space between histori-cal fact and mythic resonance.The architecture of this work relies on a deliberate collision be-between narrative prose and hyper-metric poetry. The prose chap-ters serve as the forensic framework, establishing the timeline, the "crime scene," and the sociological context of the 1960s counterculture. They are the walls of the maze. The poems, how-ever, function as the subconscious interruptions-the "Chorus " Of Dissent" speaks to the internal, emotional reality of the subject. Where the biography explains what happened, the poet-His attempts to articulate why it felt like a haunting.This book represents the second movement in a larger metaphys-ical journey.The arc began in THE FRAUD OF ETERNITY, which estab-published the existential compost-the raw, chaotic realization that time is a predator and legacy is a lie. In that collection, we ex-plored the internal fragmentation of the self.Now, in LOST IN THE LABYRINTH, we apply that lens to a specific external archetype: Jim Morrison. We use his rise, his "Solar Equation" and his eventual destruction as a case study in the failure of the Romantic ideal.He is the Avatar of the Fraud, a man who tried to break through, only to find the door was painted on a brick wall. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Seller Inventory # 9798232021092
Quantity: 1 available
Seller: Rarewaves.com UK, London, United Kingdom
Paperback. Condition: New. Seller Inventory # LU-9798232021092
Quantity: Over 20 available