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Liza Lim’s Extinction Events and Dawn Chorus (33 1/3 Oceania) - Softcover

Bouque, Ty

 
9798216443131: Liza Lim’s Extinction Events and Dawn Chorus (33 1/3 Oceania)

Synopsis

A critical guide to the experimental music compositions of Australian composer Liza Lim's post-climate crisis album Extinction Events and Dawn Chorus.

When humans have gone, what will become of singing? Across her 2020 album Extinction Events and Dawn Chorus, Liza Lim dreams of how nature itself would sing on that first morning after the death of humanity. Creaking vestiges of Western music swirl in oceanic gyres with choruses of bioluminescent fish; plastic trash is taught to sing by magical animating forces; and music itself rises in the absence of all humans to speak in tongues we will never understand.

In this roving collection of essays, Ty Bouque traces the many currents of Lim's album to better understand how music might teach us to imagine timescales and environments beyond our own. Extinction Events and Dawn Chorus unpacks Australian music's most profound statement on the climate crisis to date, and asks, without the promise of an answer: what would be the music of a drowned, post-human world?

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About the Authors

Ty Bouque writes about opera: its slippery histories, its sensual bodies, and the work of mourning for a dead genre. Elsewhere, Bouque sings in various solo, ensemble, and opera permutations around the world. Bouque lives in Chicago.

Jon Stratton is Adjunct Professor in UniSA Creative at the University of South Australia and a member of the university's Creative People, Products and Places Research Centre. Jon has worked at universities in the UK and Australia and held a Rockefeller Fellowship at the University of Iowa in 1998. His areas of interest include Popular Music, Cultural Studies, Australian Studies, Jewish Cultural Studies and Media Studies. He is the sole author of 12 books and has co-edited four. In 2002 he published Australian Rock: Essays on Popular Music. His most recent books include Black Popular Music in Britain since 1945 (edited with Nabeel Zuberi, 2014), When Music Migrates: Crossing British and European Racial Faultlines 1945-2010 (2014) and An Anthology of Australian Albums: Critical Engagements (edited with Jon Dale and Tony Mitchell, 2020).

Jon Dale is a writer and researcher based in Melbourne, Australia. He teaches across a number of fields (popular music, experimental writing, media studies, criminology, sociology, screen studies) at a number of institutions. He also writes for the English music magazine Uncut, and contributes liner notes and essays to a number of record labels and other publications. He is currently working on several books about DIY and post-punk music, and texts on experimental film and diary film making. He also runs the record labels Tristes Tropiques and Rose Hobart.

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