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ALLERME y NEIDHARDT - A vous de trouver le rythme (Your turn to find the rhythm) para Piano (Inc.CD) - Softcover
Synopsis
NN: Sophie, how did you approach rhythm when you learned to play piano ? SA: I approached it in the classical way, through music theory. Obviously rhythm is quite abstract and you start to get a feel for it once you play your instrument. NN: Did you mainly work by yourself with a metronome ? SA: The metronome is an important tool, but that doesn´t mean you should "sleep with it" ! You need time to interiorize the pulsation that´s necessary for any rhythmical expression, especially if you play alone. Is the perception of rhythm very different in Jazz and Pop-Music ? NN: Yes, as you will be looking more into creating "imperfection", rather than metronomical stricture. Jazzmen areoften self-taught, and have developed a "Groove" or a "Feeling" without studying solfege but only by interacting with other musicians. SA: Talking about "Feeling", would you say it´s the same as "Interpretation" ? NN: Yes, absolutely. These are two ways of expressing the same thing. Shifting around the beat leads to rhythmic imperfection... it´s the "Human Factor" that makes music so pleasant to listen to, not the perfection of a machine. For example : "to play laid-back". Does that existin classical music ? SA: Not really, since this way of expressing did not make it into the classical world, especially if you think of Bach being played with fluctuations... On the other hand, whynot approach Chopin more "freely" ! When you improvise, do you use certain recurring binary or ternary patterns ? NN: The majority of tunes you improvise to in jazz are based on a ternary or binary-ternary (swing) playing. The confirmed Jazzplayer juggles with both. There are lots of cliches or patterns in bossa, pop or rock. We will discover them throughout this method... This method is not a solfege handbook. It will permit you to approach rhythm through your ability to replay the samples you have heard on the CD. We will provide written elements as a support. Your Turn To Find The Rhythm... offers rhythmic so...
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A Vous de Trouver le Rythme
Seller: medimops, Berlin, Germany
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Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present. Seller Inventory # M00230988814-G
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ALLERME y NEIDHARDT - A vous de trouver le rythme (Your turn to find the rhythm) para Piano (Inc.CD)
Seller: Mega Music, Galápagos, GU, Spain
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paperback. Condition: New. NN: Sophie, how did you approach rhythm when you learned to play piano ? SA: I approached it in the classical way, through music theory. Obviously rhythm is quite abstract and you start to get a feel for it once you play your instrument. NN: Did you mainly work by yourself with a metronome ? SA: The metronome is an important tool, but that doesn t mean you should "sleep with it" ! You need time to interiorize the pulsation that s necessary for any rhythmical expression, especially if you play alone. Is the perception of rhythm very different in Jazz and Pop-Music ? NN: Yes, as you will be looking more into creating "imperfection", rather than metronomical stricture. Jazzmen areoften self-taught, and have developed a "Groove" or a "Feeling" without studying solfege but only by interacting with other musicians. SA: Talking about "Feeling", would you say it s the same as "Interpretation" ? NN: Yes, absolutely. These are two ways of expressing the same thing. Shifting around the beat leads to rhythmic imperfection. it s the "Human Factor" that makes music so pleasant to listen to, not the perfection of a machine. For example : "to play laid-back". Does that existin classical music ? SA: Not really, since this way of expressing did not make it into the classical world, especially if you think of Bach being played with fluctuations. On the other hand, whynot approach Chopin more "freely" ! When you improvise, do you use certain recurring binary or ternary patterns ? NN: The majority of tunes you improvise to in jazz are based on a ternary or binary-ternary (swing) playing. The confirmed Jazzplayer juggles with both. There are lots of cliches or patterns in bossa, pop or rock. We will discover them throughout this method. This method is not a solfege handbook. It will permit you to approach rhythm through your ability to replay the samples you have heard on the CD. We will provide written elements as a support. Your Turn To Find The Rhythm. offers rhythmic so. 21 X 30 Cm. Lingua: french. Seller Inventory # P11865
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A Vous de Trouver le Rythme
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Condition: new. Expédition le jour même. Libraire depuis 28 ans. Envoi soigné avec suivi. Seller Inventory # 9790230988810
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