The present reduction derives from the critical edition of the score, published in this catalog in November 2019. Antonio Vivaldi’s La Dorilla, a heroic-pastoral opera on a libretto by Antonio Maria Lucchini, was premiered at the Teatro Sant’Angelo in Venice on 6 November 1726. Six years later it was revived in a much shortened and altered form at the Sporck Theatre in Prague. In 1734 it returnedfor the last time to the Venetian stage at the Teatro Sant’Angelo, where, despite being greatly revised, it was once again successful. Many of its recitatives had been shortened and several arias replaced, some with movements borrowed from other operas by Vivaldi and some with arias taken from onesby other composers, such as Johann Adolf Hasse, Geminiano Giacomelli, Domenico Sarro and Leonardo Leo. The adaptation was the work of the Venetian man of letters Bartolomeo Vitturi, who adjusted the libretto with the precise aim of satisfying the demands of the public, which wished to hear the mostfamous pieces by the composers who were fashionable in those years. This vocal-score edition includes a synthetic introduction of the historical context, the description of the main source employed and a choice of the critical Notes to the musical text.
"synopsis" may belong to another edition of this title.
Seller: Mega Music, Galápagos, GU, Spain
paperback. Condition: New. The present reduction derives from the critical edition of the score, published in this catalog in November 2019. Antonio VivaldiÆs La Dorilla, a heroic-pastoral opera on a libretto by Antonio Maria Lucchini, was premiered at the Teatro SantÆAngelo in Venice on 6 November 1726. Six years later it was revived in a much shortened and altered form at the Sporck Theatre in Prague. In 1734 it returnedfor the last time to the Venetian stage at the Teatro SantÆAngelo, where, despite being greatly revised, it was once again successful. Many of its recitatives had been shortened and several arias replaced, some with movements borrowed from other operas by Vivaldi and some with arias taken from onesby other composers, such as Johann Adolf Hasse, Geminiano Giacomelli, Domenico Sarro and Leonardo Leo. The adaptation was the work of the Venetian man of letters Bartolomeo Vitturi, who adjusted the libretto with the precise aim of satisfying the demands of the public, which wished to hear the mostfamous pieces by the composers who were fashionable in those years. This vocal-score edition includes a synthetic introduction of the historical context, the description of the main source employed and a choice of the critical Notes to the musical text. 23 X 30 Cm. Lingua: italian. Seller Inventory # C470
Seller: Livre et Partition en Stock, Marseille, France
Condition: new. Expédition le jour même. Libraire depuis 23 ans. Envoi soigné avec suivi. Seller Inventory # 9790041419565
Quantity: Over 20 available
Seller: moluna, Greven, Germany
Condition: New. Vivaldis La Dorilla , eine heldenhafte pastorale Oper basierend auf einem Libretto von Lucchini, wurde 1726 im Teatro Sant Angelo in Venedig uraufgefuehrt. Sechs Jahre spaeter wurde sie in Prag in verkuerzter und veraenderter Form wiederbelebt. 1734 kehrte das. Seller Inventory # 440633050
Quantity: Over 20 available
Seller: AHA-BUCH GmbH, Einbeck, Germany
sonst. Bücher. Condition: Neu. Neuware. Seller Inventory # 9790041419565
Seller: preigu, Osnabrück, Germany
Condition: Neu. La Dorilla RV 709 | Critica di Ivano Bettin - Riduzione per canto e pianoforte di A. Frigé, Vocal and Piano Reduction | Antonio Vivaldi | Broschüre | Klavierauszug | Deutsch | 2020 | Hal Leonard Europe | EAN 9790041419565 | Verantwortliche Person für die EU: Hal Leonard Europe, Rotlaubstr. 6, 79427 Eschbach, verkauf[at]halleonardeurope[dot]de | Anbieter: preigu. Seller Inventory # 119352706