Our goal is to give students a modern, systematically structured, well-informed vocal coach that meets the demands of present-day stage practice. And, of course, a cohesive repertoire and logical presentation of audition arias for every vocal genre."" (Peter Anton Ling and Marina Sandel, editors)
OperAria is the ideal ""vocal coach"" for all voice types, and an anthology of opera arias. The books address all singers and are conceived above all for training and auditions. In addition, through their careful selection, they offer valuable inspiration for opera recitals.
- Repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria).
- with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance).
- with information on the composer, the librettist, the work, the range of versions or casting.
- with a short synopsis of the contents, illuminating the basic dramatic constellation in the context of the operas plot.
- with an evaluation from the singers point of view.
- with a phonetic assistant: aria texts in the original language spoken by native speakers as an mp3 audio file (on the CD).
- with aria texts in German and English translations as a PDF text file (on the CD).
"synopsis" may belong to another edition of this title.
ALBUM CONTENTS: -
Gluck: Qual vita / Che fiero momento (Euridice from 'Orfeo ed Euridice')
- Mozart: Ruhe sanft (Zaide from 'Zaide')
- Mozart: Giunse alfin il momento / Deh vieni non tardar (Susanna from 'Le nozze di Figaro')
- Mozart: Ach, ich fühls (Pamina from 'Die Zauberflöte')
- Mozart: Saltro che lacrime (Servilia from 'La clemenza di Tito')
- Beethoven: O wär ich schon mit dir vereint (Marzelline from 'Fidelio')
- Lortzing: Auf des Lebens raschen Wogen (Baronin from 'Der Wildschütz')
- Bellini: Eccomi in lieta vesta / Oh! quante volte (Giulietta from 'I Capuleti e i Montecchi')
- Flotow: Letzte Rose (Lady Harriet from 'Martha')
- Mozart: Porgi amor (La Contessa from 'Le nozze di Figaro')
- Mozart: E Susanna non vien! / Dove sono i bei momenti (La Contessa from 'Le nozze di Figaro')
- Rossini: Sombre forêt (Mathilde from 'Guillaume Tell')
- Verdi: Come in questora bruna (Amelia from 'Simon Boccanegra')
- Gounod: Que vois-je là ? / Ah ! je ris de me voir (Marguerite from 'Faust')
- Offenbach: Elle a fui, la tourterelle ! (Antonia from 'Les Contes dHoffmann')
- Smetana: Och, jaký al! / Ten lásky sen (Marenka from 'Prodana nevesta')
- Bizet: Je dis, que rien ne mépouvante (Micaëla from 'Carmen')
- Tschaikowsky: Scena pisma (Tatjana from 'Evgenij Onegin')
- Leoncavallo: Qual fiamma / Stridono lassù (Nedda from 'I Pagliacci')
- Puccini: Sì. Mi chiamano Mimì (Mimì from 'La bohème')
- Puccini: Chi il bel sogno di Doretta (Magda from 'La rondine')
- Charpentier: Depuis le jour (Louise from 'Louise')
- Mascagni: Son pochi fiori (Suzel from 'Lamico Fritz')
- Britten: Embroidery in childhood (Ellen Orford from 'Peter Grimes')
--Schott Music
"About this title" may belong to another edition of this title.
Seller: moluna, Greven, Germany
Kartoniert / Broschiert. Condition: New. Ling, Peter Anton, ed|Repertoire-Sammlung nach stimmlichen Kriterien|Phonetik-Assistent in dt, it, fr, kyr, en|Arientexte als pdf-Datei in deutsch und englisch|mit Kommentaren zu den Arien und Informationen zu Komponist, Librettist und|Werk|Inhaltsangabe zu. Seller Inventory # 150217676