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MODERNITY AND CONSUMPTION: THEORY, POLITICS, AND THE PUBLIC IN SINGAPORE AND MALAYSIA - Softcover

Rappa, Antonio Leopold

 
9789812380296: MODERNITY AND CONSUMPTION: THEORY, POLITICS, AND THE PUBLIC IN SINGAPORE AND MALAYSIA

Synopsis

The Enlightenment theorists involved in the public/private debate exposed the logical fallacies of theology and the philosophical weaknesses of metaphysics but left little room for understanding contemporary modes of consumption. What does it mean to be a consumer in the early 21st century? Do modern markets provide real choices for consumers in neoliberal capitalist democracies? Or are consumers ironically slaves to their own patterns of consumption? Rejecting Habermas' conceptualizations in The Structural Transformation of the Public Sphere (1991), Rappa offers an examination of modernity and consumption with a non-Marxist, modernity-Resistance-theoretical frame (mRf). He argues that late modernity -- the ethos, experience, and consciousness of global and technological transformation today -- is not about the fusion of "public and private" spaces. Rather, modernity and consumption involves the deep penetration of private space by public space to the extent that private space becomes dependent, conditional, and decrepit. The "Private" has become contingent on the "Public". Decisions about what to consume no longer reflect the mindful choices of private, interest-seeking, and wealth-maximizing individuals but reveal a new kind of public control through foundational images of success, failure, horror, violence, and hope.

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Review

"Modernity and Consumption, Antonio L Rappa argues in this insightful book, are deeply political. This book's unique contribution is to develop that argument with respect to the 'depoliticized' consumer in Singapore as well as the 'politicized' consumer in Malaysia. A significant contribution that melds theory and data in new ways." Peter J Katzenstein The Walter S Carpenter, Jr. Professor of International Studies Cornell University "Modernity and Consumption in Singapore and Malaysia constitutes an important extension and application of the work of such theorists of late modernity as William Connolly, Stephen White, Gianni Vattimo, and Wendy Brown." Aryeh Botwinick Professor of Political Science Temple University "An intriguing exploration of the impact of global and technological transformation on the relationship between public and private space, and the ways in which the former has intruded on the latter, particularly in market consumption choices. Private space in late modernity thus turns out to be highly contingent and ephemeral, and thus requires us to reassess its boundaries and political significance." Joel B Grossman Professor of Political Science and Law Johns Hopkins University

Synopsis

What does it mean to be a consumer in the early-21st century? How do our public choices determine identity and behaviour? Have we ironically become slaves to our own consumption preferences? While the Enlightenment theorists exposed the philosophical weaknesses of theology and the spuriousness of metaphysics, their work leaves little room for theoretical manoeuvres, and even less space for understanding consumption today. Rejecting Habermas' polemics in "The Structural Transformation of the Public Sphere" (1991) as an incidental "moment" in the tradition of Western philosophy, Antonio L. Rappa offers an examination of modernity and consumption with a non-Marxist, modernity-Resistance-theoretical frame (mRf) that draws on the work of William E. Connolly, Gianni Vattimo, Stephen K. White, Theresa Brennan and Wendy Brown. Late modernity - the experience and consciousness of global and technological transformation today - is not about the fusion of "public and private" spaces but about the deep penetration of private space by public space to the extent that private space becomes conditional, and decrepit. The "private" has ironically become contingent on the "public".

Decisions about what to consume no longer represent the conscious choices of private, interest-seeking, and wealth-maximizing individuals but are instead cultural symbols and social signs of the political markers of late modernity that are grounded in foundational fantasies accruing to the family and education, public rhetoric and personal narrative, and reconstructions of public space.

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