"From Kumina to Mento, Ska to Rocksteady, Reggae to Dancehall, Roots to Ragga – this is the authentic story of Jamaican popular music, told for the first time by Jamaicans. In Jamaica, Reggae is more than music – it is the nation’s main collective emotional outlet and its chief cultural contribution to the world. Reggae Routes examines the ways in which this uniquely popular music expresses the dreams, desires and realities of the Jamaican people, capturing the ‘glad to be alive’ spirit which makes Jamaican music so popular worldwide. Jamaican music can be roughly divided into four eras, each with a distinctive beat – ska, rocksteady, reggae and dancehall. Ska dates from about 1960 to mid-1966, rocksteady from 1966 to 1968, while from 1969 to 1983 reggae was the popular beat. The reggae era had two phases, ‘early reggae’ up to 1974 and ‘roots reggae’ up to 1983. Since 1983, dancehall has been the prevalent sound. The authors describe each stage in the development of the music, identifying the most popular songs and artists, highlighting the significant social, political and economic issues as they affected the musical scene. While they write from a Jamaican perspective, the intended audience is ‘any person, local or foreign, interested in a intelligent discussion of reggae music and Jamaica.’ A unique feature of this book is the inclusion of historical radio charts from 1960 to 1966 and a provocative reggae all-time top 100 chart. Copiously illustrated with period photos, record jackets and a variety of music memorabilia, this is the best book ever written on reggae. "
"synopsis" may belong to another edition of this title.
"In an intelligent, accessible and entertaining book, two Jamaican amateurs divide the island's popular music since 1960 into four rough eras-ska, rocksteady, reggae, dancehall. ...This history and the subsequent analysis of important songs are punctuated by 400 sharp archival photos, eye-catching graphics and boxed articles on various cultural issues and personalities. The appendices here include not only a bibliography, notes and index by artist, but also lists of the top hits by year and artist rankings that are based on what islanders-not foreigners-love best. The authors' exploration and celebration of their island's far-reaching culture makes this both a crash course in Jamaican history and a fine guide to developing a 'riddim' record collection." -Publishers Weekly "...Reggae means real music, music that tells a good story, music you can make sense out of. At first reggae sort of mean untidy or scruffy. But then it start to mean like coming from the people. Everyday things. From the ghetto. From the majority. Things people use every day like food, we just put music to and make a dance out of it. Reggae mean regular people who are suffering and don't have what they want." -Toots Hibbard, from the chapter "Do the Reggae" "[I]nsightful, informal and well-written...an essential addition to any reggae library and a good selection for anyone interested in the music." -The Beat
Kevin O'Brien Chang holds an MBA from the University of Toronto. He lives and operates a business in rural Jamaica. An occasional freelance writer, he has contributed to the Toronto Star, the Jamaica Gleaner, and the Jamaica Observer. His music interest ranges from reggae to the opera. Wayne Chen holds a degree in law from the University of the West Indies. He is currently Chief Executive Officer of Jamaica's largest supermarket chain.
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Paperback. Condition: New. From Kumina to Mento, Ska to Rocksteady, Reggae to Dancehall, Roots to Ragga - this is the authentic story of Jamaican popular music, told for the first time by Jamaicans. In Jamaica, Reggae is more than music - it is the nation's main collective emotional outlet and its chief cultural contribution to the world. Reggae Routes examines the ways in which this uniquely popular music expresses the dreams, desires and realities of the Jamaican people, capturing the `glad to be alive' spirit which makes Jamaican music so popular worldwide. Jamaican music can be roughly divided into four eras, each with a distinctive beat - ska, rocksteady, reggae and dancehall. Ska dates from about 1960 to mid-1966, rocksteady from 1966 to 1968, while from 1969 to 1983 reggae was the popular beat. The reggae era had two phases, `early reggae' up to 1974 and `roots reggae' up to 1983. Since 1983, dancehall has been the prevalent sound. The authors describe each stage in the development of the music, identifying the most popular songs and artists, highlighting the significant social, political and economic issues as they affected the musical scene. While they write from a Jamaican perspective, the intended audience is `any person, local or foreign, interested in a intelligent discussion of reggae music and Jamaica.' A unique feature of this book is the inclusion of historical radio charts from 1960 to 1966 and a provocative reggae all-time top 100 chart. Copiously illustrated with period photos, record jackets and a variety of music memorabilia, this is the best book ever written on reggae. Seller Inventory # LU-9789768100672
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Paperback. Condition: New. From Kumina to Mento, Ska to Rocksteady, Reggae to Dancehall, Roots to Ragga - this is the authentic story of Jamaican popular music, told for the first time by Jamaicans. In Jamaica, Reggae is more than music - it is the nation's main collective emotional outlet and its chief cultural contribution to the world. Reggae Routes examines the ways in which this uniquely popular music expresses the dreams, desires and realities of the Jamaican people, capturing the `glad to be alive' spirit which makes Jamaican music so popular worldwide. Jamaican music can be roughly divided into four eras, each with a distinctive beat - ska, rocksteady, reggae and dancehall. Ska dates from about 1960 to mid-1966, rocksteady from 1966 to 1968, while from 1969 to 1983 reggae was the popular beat. The reggae era had two phases, `early reggae' up to 1974 and `roots reggae' up to 1983. Since 1983, dancehall has been the prevalent sound. The authors describe each stage in the development of the music, identifying the most popular songs and artists, highlighting the significant social, political and economic issues as they affected the musical scene. While they write from a Jamaican perspective, the intended audience is `any person, local or foreign, interested in a intelligent discussion of reggae music and Jamaica.' A unique feature of this book is the inclusion of historical radio charts from 1960 to 1966 and a provocative reggae all-time top 100 chart. Copiously illustrated with period photos, record jackets and a variety of music memorabilia, this is the best book ever written on reggae. Seller Inventory # LU-9789768100672