How Renaissance Old Masters expanded the terms and vocabulary of portraiture
In the Renaissance, artists across Europe produced lifelike portraits with new virtuoso realism and exactitude, immortalizing not only kings and noblemen but, increasingly, bankers, merchants and scholars. These paintings, busts, prints and drawings still bear witness to the power, status, ambitions, friendships and religious convictions of their subjects. Whether they are lovers, celebrities or religious devotees, the people portrayed here implore the onlookers not to forget them. This compendium--innovatively designed by Irma Boom--includes more than 100 portraits from collections around the world.
Artists include: Hans Holbein II, Albrecht Dürer, Hans Memling, Antonello da Messina, Petrus Christus, Titian, Jan Borman the Younger, Renier van Thienen, Hans Holbein the Younger, Jan Gossart, Sofonisba Anguissola, Albrecht Dürer, Jan Jansz Mostaert, Petrus Christus, Lorenzo Lotto, Maerten van Heemskerck, Piero di Cosimo, Hans Memling and Paolo Veronese.
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Around 1500, portraiture flourished like never before. In countless European cities major Renaissance artists like Hans Holbein II, Albrecht Dürer, Hans Memling and Antonello da Messina produced lifelike portraits at the highest artistic level. For the first time in history, they not only immortalized kings and noblemen but also, and increasingly, powerful bankers, wealthy merchants and renowned scholars. These paintings, busts, medallions, prints and drawings still bear witness to their power, status, ambitions, friendships and religious convictions. Remember Me uses international masterpieces and surprising unknowns to tell the personal stories of the people portrayed. How did they want to be remembered? Whether they are lovers, celebrities or believers worshipping saints, the people portrayed implore the onlookers not to forget them.
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