Since the development of film as an artistic medium in the 1890s, there has been an inherent tension between still photographic images and moving cinematic images, from their form and function to the messages they convey and their impact on the beholder and on culture at large. This volume, one of the first book-length works to analyze, critique, and further the international debate about the meaning and use of motion and stillness in film and photography, takes these concepts out of the theoretical arena of cinematic studies and applies them to the wider and ever-changing landscape of images and media.
With contributions from such acclaimed international scholars as Tom Gunning, Thomas Elsaesser, Mark B. N. Hansen, George Baker, Ina Blom, and Christa Blümlinger, these collected essays examine the strategic uses of stillness and motion in art from the mid-nineteenth century to the technologically driven present.
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Eivind Røssaak is associate professor in the research department at the National Library of Norway in Oslo.
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Book Description University of Chicago press. Book Condition: New. Brand New. Bookseller Inventory # 9089642129
Book Description Amsterdam University Press, Netherlands, 2012. Paperback. Book Condition: New. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. Film|Photography|Algorithms. Bookseller Inventory # BTE9789089642127
Book Description Amsterdam University Press, 2012. Paperback. Book Condition: New. book. Bookseller Inventory # 9089642129
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Book Description 2011. Paperback. Book Condition: New. Paperback. Film|Photography|Algorithms New technological media such as film, photography and computers have altered the way we perceive possible relations between stillness and motion in.Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. 244 pages. 0.419. Bookseller Inventory # 9789089642127