Items related to Musical Form, Forms & Formenlehre: Three Methodological...

Musical Form, Forms & Formenlehre: Three Methodological Reflections (Studies in Musical Form) - Softcover

 
9789058678225: Musical Form, Forms & Formenlehre: Three Methodological Reflections (Studies in Musical Form)
Softcover
ISBN 10: 9058678229 ISBN 13: 9789058678225
Publisher: Leuven University Press, 2010

Synopsis

In ‘Musical Form, Forms & Formenlehre: Three Methodological Reflections’, three eminent music theorists consider the fundamentals of musical form. They discuss how to analyze form in music and question the relevance of analytical theories and methods in general. They illustrate their basic concepts and concerns by offering some concrete analyses of works by Mozart (Idomeneo Overture, Jupiter Symphony) and Beethoven (First Symphony, Pastoral Symphony, Egmont Overture, and Die Ruinen von Athen Overture). The volume is divided into three parts, focusing on Caplin’s “theory of formal functions,” Hepokoski’s concept of “dialogic form,” and Webster’s method of “multivalent analysis” respectively. Each part begins with an essay by one of the three authors. Subsequently, the two opposing authors comment on issues and analyses they consider to be problematic or underdeveloped, in a style that ranges from the gently critical to the overtly polemical. Finally, the author of the initial essay is given the opportunity to respond to the comments and to refine further his own fundamental ideas on musical form.

"synopsis" may belong to another edition of this title.

About the Author

Pieter Bergé is hoogleraar Musicologie aan de KU Leuven en artistiek directeur van Festival 20.21 Leuven. Zijn boeken, zowel wetenschappelijke als populariserende, werden herhaaldelijk bekroond.

Pieter Bergé is Professor of Music Analysis, History and Theory (1750-1900) at the KU Leuven. His main research topics are Arnold Schoenberg, German opera during the Weimar Republic, Formenlehre, instrumental music from 1770-1830, and 'analysis-and-performance'-issues.

From the Back Cover

In Musical Form, Forms & Formenlehre: Three Methodological Reflections, three eminent music theorists consider the fundamentals of musical form. They discuss how to analyze form in music and question the relevance of analytical theories and methods in general. They illustrate their basic concepts and concerns by offering some concrete analyses of works by Mozart (Idomeneo Overture, Jupiter Symphony) and Beethoven (First Symphony, Pastoral Symphony, Egmont Overture, and Die Ruinen von Athen Overture). The volume is divided into three parts, focusing on Caplin¿s ¿theory of formal functions,¿ Hepokoski¿s concept of ¿dialogic form,¿ and Webster¿s method of ¿multivalent analysis¿ respectively. Each part begins with an essay by one of the three authors. Subsequently, the two opposing authors comment on issues and analyses they consider to be problematic or underdeveloped, in a style that ranges from the gently critical to the overtly polemical. Finally, the author of the initial essay is given the opportunity to respond to the comments and to refine further his own fundamental ideas on musical form.

"About this title" may belong to another edition of this title.

Publisher
Leuven University Press
Publication date
2010
Language
English
ISBN 10 
9058678229
ISBN 13 
9789058678225
Binding
Paperback
Edition number
1
Number of pages
180
Editor
Bergé Pieter