Synopsis
This is the first book to examine the precise relationship between pluralism and the production of Western literature and criticism from the eighteenth century to the present. It underscores the historical rather than exclusively epistemological reasons behind what is here called “the rise of literary pluralism.” This rise entails, on the one hand, the modern day phenomenon of an ever-increasing number of readings of both canonical and contemporary works of verbal art; and, on the other, our ever-growing body of literature written with an eye towards different types of characters, situations, forms and styles. Reviewing a wide range of authors and thinkers―from German, French and English Romantics to Anglo-American and European poststructuralist theorists―it shows how and why the current literary emphasis on difference derives from an unquestioned allegiance to the notion of cultural pluralism. While never denying the value of the latter, it seeks instead to analyze the oftentimes unquestioned implications of this historically-situated belief within the specific realm of literary studies.
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About the Author
Stamos Metzidakis is Professor of French and Comparative Literature at Washington University in Saint Louis. He is the author of two other books, Repetition and Semiotics: Interpreting Prose Poems (1986) and Understanding French Poetry: Essays for a New Millennium (1994, 2nd edition 2001), which he co-authored and edited. In addition, he has edited special issues of the widely read journal L’ Esprit créateur on André Breton and prose poetry, and published over seventy other book chapters, articles and reviews on a wide range of topics. Currently he is finishing two new book manuscripts, Recollecting French America: A Personal Chronology and Des lignes et des lettres: essais néo-formalistes in French.
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Taschenbuch. Condition: Neu. Neuware - This is the first book to examine the precise relationship between pluralism and the production of Western literature and criticism from the eighteenth century to the present. It underscores the historical rather than exclusively epistemological reasons behind what is here called 'the rise of literary pluralism.' This rise entails, on the one hand, the modern day phenomenon of an ever-increasing number of readings of both canonical and contemporary works of verbal art; and, on the other, our ever-growing body of literature written with an eye towards different types of characters, situations, forms and styles. Reviewing a wide range of authors and thinkers-from German, French and English Romantics to Anglo-American and European poststructuralist theorists-it shows how and why the current literary emphasis on difference derives from an unquestioned allegiance to the notion of cultural pluralism. While never denying the value of the latter, it seeks instead to analyze the oftentimes unquestioned implications of this historically-situated belief within the specific realm of literary studies. Seller Inventory # 9789042036260