Using Kamel Daoud’s The Meursault Investigation and Juan Gabriel Vásquez’s The Secret History of Costaguana, this book asks you to serve as the jury on euro-modernism, specifically the canonical texts Camus’s The Stranger and Conrad’s Nostromo. The book reveals the extent to which euro-modernist aesthetics was culpable in rationalising colonialism.
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Geetha Ramanathan is Emeritus Professor of Comparative Literature which she taught at West Chester University, USA. Her most recent books on modernisms are Locating Gender in Modernism: The Female Outsider (2012), and The Female in German Modernisms: The Visual Turn (2019).
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