The essay advocates a theory of the musical work as a social object which is based on a trace informed by a normative value. Such a normativity is explored in relation to three ways of fixing the trace: orality, notation and phonography.
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Alessandro Arbo, Ph.D. (1997), Turin University (I) is Professor of Music at the University of Strasbourg. He has published monographs and many articles on the aesthetics and philosophy of music, including Entendre comme. Wittgenstein et lesthétique musicale (Hermann, 2013).
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