A long, friendly conversation between the American artist Alec Soth and the Italian curator and critic Francesco Zanot. Analyzing his most famous photographs as well as others that have nev - er been published or are virtually unknown, Soth reflects upon his career as a photographer. Each picture gives rise to a chapter of its own, an original thought or reflection. Soth’s images are shuffled together here to form new sequences: tracing the threads of memories, addressing cul - tural issues and references, and thus creating unforeseen and unforesee - able connections. Storytelling, use of colour and black and white, staged and candid approaches and personal issues are just some of the topics discussed in the book, resulting in a combination of images and words that constitutes a deep analysis of Soth’s work as well as a manual on the reading of photography itself.
"synopsis" may belong to another edition of this title.
Storytelling and the use of color and black and white, staged and candid approaches, and personal and political issues are just a few of the many arguments that the American photographer Alec Soth discusses with critic Francesco Zanot, resulting in a combination of words and images that constitutes both a complex examination of Alec Soth's work and a manual on that reading of photography itself.
Alec Soth is one of the most prominent artist of this time. He became a full member of Magnum in 2008. He is based in Minneapolis, Minnesota. His first monograph, Sleeping by the Mississippi, was published by Steidl in 2004 to critical acclaim. Since then Soth has published NIAGARA (Steidl, 2006), Fashion Magazine (Magnum, 2007), and Dog Days, Bogotá (Steidl, 2007). He is represented by the Sean Kelly Gallery in New York and the Weinstein Gallery in Minneapolis.
Photography critic and curator Francesco Zanot has been working for exhibitions and books with some of the most renowned Italian and international photographers.
"About this title" may belong to another edition of this title.
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