Iraqi-American artist Michael Rakowitz's (b. 1973, USA) first major European survey presents a sequence of installations drawing on architecture, cultural artefacts and cuisine to tell stories of social ritual, conflict and loss. It encompasses work considering the citizen visionaries of post Soviet Hungary, Middle Eastern Beatles fans and the stonecarvers of Afghanistan, with Rakowitz's casts of players and objects revealing the legacy of colonisation, modernism and globalism.
The artist's life-size replica of the gigantic lamassu, one of two monumental winged bulls that once guarded the gates of Nineveh in Iraq, currently features on Trafalgar Square's Fourth Plinth. This recreation of an ancient mythological creature is made from everyday date syrup cans and is part of an epic endeavour to recreate all 7,000 objects looted from the Iraq Museum in 2003, as well as those destroyed more recently at archaeological sites like Nimrud, also presented here.
Text in English and Italian.
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Iraqi-American artist Michael Rakowitz’s (b. 1973, USA) first major European survey presents a sequence of installations drawing on architecture, cultural artefacts and cuisine to tell stories of social ritual, conflict and loss. It encompasses work considering the citizen visionaries of post Soviet Hungary, Middle Eastern Beatles fans and the stone carvers of Afghanistan, with Rakowitz’s casts of players and objects revealing the legacy of colonisation, modernism and globalism. The artist’s life-size replica of the gigantic lamassu, one of two monumental winged bulls that once guarded the gates of Nineveh in Iraq, currently features on Trafalgar Square’s Fourth Plinth. This recreation of an ancient mythological creature is made from everyday date syrup cans and is part of an epic endeavour to recreate all 7,000 objects looted from the Iraq Museum in 2003, as well as those destroyed more recently at archaeological sites like Nimrud, also presented here.
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Seller: Rarewaves USA, OSWEGO, IL, U.S.A.
Paperback. Condition: New. Iraqi-American artist Michael Rakowitz's (b. 1973, USA) first major European survey presents a sequence of installations drawing on architecture, cultural artefacts and cuisine to tell stories of social ritual, conflict and loss. It encompasses work considering the citizen visionaries of post Soviet Hungary, Middle Eastern Beatles fans and the stonecarvers of Afghanistan, with Rakowitz's casts of players and objects revealing the legacy of colonisation, modernism and globalism. The artist's life-size replica of the gigantic lamassu, one of two monumental winged bulls that once guarded the gates of Nineveh in Iraq, currently features on Trafalgar Square's Fourth Plinth. This recreation of an ancient mythological creature is made from everyday date syrup cans and is part of an epic endeavour to recreate all 7,000 objects looted from the Iraq Museum in 2003, as well as those destroyed more recently at archaeological sites like Nimrud, also presented here. Text in English and Italian. Seller Inventory # LU-9788836643332
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Cartonato con sovracoperta. Testo in lingua italiana e inglese.Con immagini in bianco e nero e a colori n.t. e f.t. Whitechapel Gallery Numero di tavole: 0 pp.213 9788836643332 altezza 29 larghezza 24.8 Esemplare in buone condizioni.Sovraccoperta con lievi segni di usura ai bordi e agli angoli. Testo in Lingua Italiana e inglese. Seller Inventory # LIARCO0271125-202799
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Seller: Rarewaves USA United, OSWEGO, IL, U.S.A.
Paperback. Condition: New. Iraqi-American artist Michael Rakowitz's (b. 1973, USA) first major European survey presents a sequence of installations drawing on architecture, cultural artefacts and cuisine to tell stories of social ritual, conflict and loss. It encompasses work considering the citizen visionaries of post Soviet Hungary, Middle Eastern Beatles fans and the stonecarvers of Afghanistan, with Rakowitz's casts of players and objects revealing the legacy of colonisation, modernism and globalism. The artist's life-size replica of the gigantic lamassu, one of two monumental winged bulls that once guarded the gates of Nineveh in Iraq, currently features on Trafalgar Square's Fourth Plinth. This recreation of an ancient mythological creature is made from everyday date syrup cans and is part of an epic endeavour to recreate all 7,000 objects looted from the Iraq Museum in 2003, as well as those destroyed more recently at archaeological sites like Nimrud, also presented here. Text in English and Italian. Seller Inventory # LU-9788836643332