Violin, claims the author, is basically Indian in its origin, though it is very often accepted as a European instrument. Whatever and wherever be its origin, violin, with its structural potentiality, transcends geographical boundaries of music. It is, accordingly, an instrument of world music. This book tries to trace the origin and gradual evolution of violin as a musical instrument -- through different stages of mankind s socio-cultural history -- highlighting how this instrument, in particular, has contributed towards the creation of music. Incidentally, the book also deals with the changing structure of violin and its potentiality in enriching music anywhere in the world. Even if the author s discussion largely centres around Hindustani (North Indian Classical) music, she looks at the use of violin in its cross-cultural, rather global perspective. The book is illustrated with photographs and line-drawings.
"synopsis" may belong to another edition of this title.
Sisirkana Dhar Choudhury is an internationally-known violist: currently Principal, Sangeetanjali College of Music in Fremont, USA.
"About this title" may belong to another edition of this title.
£ 18.51 shipping from India to United Kingdom
Destination, rates & speedsSeller: Majestic Books, Hounslow, United Kingdom
Condition: New. pp. 192 Illus. Seller Inventory # 5300660
Quantity: 4 available
Seller: Books Puddle, New York, NY, U.S.A.
Condition: New. pp. 192 1st Edition. Seller Inventory # 262580075
Quantity: 4 available
Seller: Biblios, Frankfurt am main, HESSE, Germany
Condition: New. pp. 192. Seller Inventory # 182580065
Quantity: 4 available
Seller: Vedams eBooks (P) Ltd, New Delhi, India
Hardcover. Condition: As New. Contents: Preface. Foreword. 1. The origin and development of Natya ad Nrtta. 2. Karanas, Angaharas and Recakas. 3. Abhinavagupta on Karanas and Angaharas. 4. Representations of Karanas. 5. The gestures of the Hands. 6. Bharatanatya-A study. 7. Natyasastra and regional theatres. Conclusion. Bibliography. Index. The importance of gestures including poses of hands in conveying the feelings of the text to the audience is well recognized by the Indian writers in the field of Dramaturgy from the days of Bharata, the author of the Natyasastra. Much has been written in this field down the centuries. Bharata has drawn upon, many ancient authorities on the subject to make his treatise a comprehensive masterpiece in the field of historionics. The present monograph discusses the various topics in this with Karanas, Angaharas and Recakas and the poses of hands which are adopted by practicing artists of Bharatanatya and allied arts. Seller Inventory # 96738A
Quantity: 1 available