Like Kurt Schwitters before him, Gerhard Ruhm has incorporated numerals and digits into his visual and aural poetry since the early days of Wiener Gruppe in the 1950s. The Folded Clock brings together these number poems, comprising typewriter ideograms, typed concrete poetry, collages of everyday paper ephemera and scraps, and a wide variety of literary forms where the visual pattern created on the page underpins the thematic meaning. Blurring the distinction between "counting" and "recounting," his "recitations" imaginatively translate arithmetic vocabulary into the mundane, the existential, or the cosmic, such as a history of the universe narrated as a solar year, from the Big Bang on January 1 to the moon landing in the last seconds of New Year's Eve. Ruhm's images and texts unleash the sensual qualities of numerals to subvert our digit-filled environment with its pervasive intensification of seamless control.
"synopsis" may belong to another edition of this title.
Born in Vienna, Austria, in 1930, author, composer, visual artist Gerhard Ruhm is one of the key figures in the postwar European (neo)avant-garde. He studied music in the 1950s and '60s and was a founding member of the legendary Vienna Group. His work is characterized by the intersections of music and language as well as text and image and thus encompasses poetry, prose, radio plays, drama scenarios, music compositions, visual compositions, collages, and graphic art, and reflects the techniques of concrete poetry and Dadaism, while also influenced by Surrealism and Dark Romanticism.
"About this title" may belong to another edition of this title.
Seller: HPB-Diamond, Dallas, TX, U.S.A.
paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority! Seller Inventory # S_472488117
Seller: WeBuyBooks, Rossendale, LANCS, United Kingdom
Condition: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind. Seller Inventory # wbs3145137388
Quantity: 1 available
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: As New. Unread book in perfect condition. Seller Inventory # 50578213
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: New. Seller Inventory # 50578213-n
Seller: Rarewaves.com USA, London, LONDO, United Kingdom
Paperback. Condition: New. Seller Inventory # LU-9788088628118
Quantity: Over 20 available
Seller: PBShop.store US, Wood Dale, IL, U.S.A.
PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000. Seller Inventory # C3-9788088628118
Seller: Rarewaves USA, OSWEGO, IL, U.S.A.
Paperback. Condition: New. Seller Inventory # LU-9788088628118
Seller: PBShop.store UK, Fairford, GLOS, United Kingdom
PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000. Seller Inventory # C3-9788088628118
Quantity: 15 available
Seller: Grand Eagle Retail, Bensenville, IL, U.S.A.
Paperback. Condition: new. Paperback. Like Kurt Schwitters before him, Gerhard Ruhm has incorporated numerals and digits into his visual and aural poetry since the early days of Wiener Gruppe in the 1950s. The Folded Clock brings together these number poems, comprising typewriter ideograms, typed concrete poetry, collages of everyday paper ephemera and scraps, and a wide variety of literary forms where the visual pattern created on the page underpins the thematic meaning. Blurring the distinction between "counting" and "recounting," his "recitations" imaginatively translate arithmetic vocabulary into the mundane, the existential, or the cosmic, such as a history of the universe narrated as a solar year, from the Big Bang on January 1 to the moon landing in the last seconds of New Year's Eve. Ruhm's images and texts unleash the sensual qualities of numerals to subvert our digit-filled environment with its pervasive intensification of seamless control. Inspired by Kurt Schwitters, Gerhard Ruhm has incorporated numerals and digits into his visual and aural poetry since the 1950s, comprising typewriter ideograms, typed concrete poetry, collages of everyday paper ephemera and scraps, and a wide variety of literary forms where the visual pattern created on the page underpins the thematic meaning. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9788088628118
Seller: Majestic Books, Hounslow, United Kingdom
Condition: New. Seller Inventory # 408583097
Quantity: 3 available