Paperback. Pub Date: 2012 08 Pages: 328 Publisher: People's Posts and Telecommunications Press dialogue clips filmmaking is critical but not easily known part. The good dialogue clip is untracked. bad dialogue clips. film and television sound becomes chaos. to distract the audience and let the story seem unreal. Audio Recording Arts Renditions: the dialogue clips leading invisible art written by Emmy (Emmy Award) sound editors. for those who need to clip Paralanguage to film and television works. but could not find people of good learning channels. The book gradually introduces all aspects of the dialogue clips. including a detailed explanation of the common problems. such as the sound of the room balance. noise reduction. perspective control. looking for a replacement material. The book is permeated with a wealth of practical work experience. you will learn how to save time...
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paperback. Condition: New. Ship out in 2 business day, And Fast shipping, Free Tracking number will be provided after the shipment.Paperback. Pub Date :2012-08-01 Pages: 327 Publisher: People's Posts and Telecommunications Press book edge kc11.21 Basic information Title: the dialogue clip: leading to the Invisible Art Original: 88.00 yuan Author: (John Purcell) Publisher: People's Posts and Telecommunications Press Publication Date: August 1. 2012 ISBN: 9787115282781 words: Page: 327 Edition: 1st Edition Binding: Paperback: Weight: 898 g Editor's Choice dialogue clip: Pathways Invisible Art runs through a wealth of practical work experience. you will learn how to save time and avoid unnecessary duplication of effort. Summary dialogue clip: leading the invisible art Description: Dialogue clip part the filmmaking is critical but not easily known. The good dialogue clip is untracked. bad dialogue clips. film and television sound becomes chaos. to distract the audience and let the story seem unreal. The dialogue clip art: leading invisible written by Emmy (Emmy Award) sound editors provided for those who need to give the clip Paralanguage of film and television work. but could not find a good learning channels method. The book gradually introduces all aspects of the dialogue clips. including a detailed explanation of the common problems. such as the sound of the room balance. noise reduction. perspective control. looking for a replacement material. The successful dialogue editor must understand sound production in Central Africa filmmaking. Editors and sound effects. ambient sound editors. or foley editor is different from the dialogue editors directly affected by the work done. Movie shooting. recording mode and clip greatly affect the work of the dialogue editor. the dialogue clip: Pathways invisible art also includes the discussion of issues related to the late production of the movie screen and sound. such as film . tape. NTSC system. PAL system. 24p. and HD. The book also clip to the movie screen. an overview of the management of the EDL handling and ADR. Contents Chapter 1 What is dialogue clips? Chapter 2 did not work in a vacuum - from where to cut into the filmmaking process 2.1 Introduction 2.2 the brief review 2.2.1 movie sound early try 2.2.2 sound film 2.2.3 contemporary film sound 2.2.4 different formats. different a brief discussion of the treatment processes 2.3 digital era filmmaking 2.3.1 modern film clip 2.4 work in the NTSC system environment 2.4.1 About frame timecode Notes 2.4.2 Single System NTSC system. movie shooting clip 2.4.3 The film (24 frames / sec) shooting clip 2.4.4 film (24 frames / sec) or tape shooting. tape recording. NTSC system. hard disk recording. NTSC system the clip 2.5 2.5.1 Single System PAL system work in the PAL system environment 2.5 .2 film (24 frames / sec). tape recordings. PAL system clip 2.5.3 film shooting (24 frames / sec). hard disk recording. PAL system clips 2.5.4 shooting and post-production using 25 frames / second (PAL system ) 2.5.5 for PAL TV film and the recording 2.6 HD production Chapter 3 the screen clips overview Introduction to 3.1 screen clips (NTSC system. for example) 3.1.1 the telecine and digitized 3.1.2 Organization 3.1.3 3.1.4 sound into the picture early shear 3.1.5 screenings clip again to complete the piece with music 3.1.6 constant shear sound production team 4.1 team members Chapter 4 4.1.1 supervising sound editor (Supervising Sound Editor) 4.1.2 sound design White. director of the division (Sound Designer) 4.1.3 the sound clips Assistant (Assistant Sound Editor) 4.1.4 Apprentice (Apprentice) 4.1.5 sound effects editor (Sound Effects Editors) 4.1.6 or dialogue editor (Dialogue Supervisor or Dialogue Editors ) 4.1.7 of ADR Director or ADR editor (ADR Supervisor or ADR Editors) 4.1.8 ADR engineer (ADR Engineer) 4.1.9 foley foley Director (Foley Supervisor) 4.1.10 division and foley engineer (Foley Walker and the Foley Recording Engineer) 4.1.11 4.1.12 music editor (Music Editor). Seller Inventory # EI054292
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