From epidemics in the 17th century, through the Lisbon earthquake in 1755, and to Guernica in World War II, the essays of this volume show how a catastrophic imagination, heavily based on pictorial media and forms of staging, has developed since the early modern period. Thus, the catastrophe in its modern sense seems to be inextricably linked to its spectacular appearance, be it on stage, on screen, or in popular amusement parks. But increasingly, the modern relation between catastrophe and spectacle also confronts us with the unimaginable of invisible catastrophes, such as the Holocaust, and as is now seen to a large extent in the daily catastrophe of refugees suffering shipwrecks while trying in vain to reach European coasts. The essays of this volume touch upon the question of how a spectacular imagination of catastrophe is breaking ground with respect to discourse and media history. In their commentary function, these texts elucidate the images of catastrophes that inspire them. The interaction between the catastrophic scene and the text comments makes it possible to reconsider how the spectacular and the catastrophic are inter-related. Furthermore, the articles not only deal with the spectacularisation of the catastrophic, but also try to present themselves as a type of catastrophe criticism that is derived from the philological readings of the corresponding scenes. There is the underlying ambition for a critical philology of the catastrophe which, in a Benjaminian sense, demonstrates 'small leaps' within the catastrophic continuum and in which the catastrophe is confronted by other figures of thought, such as the disaster according to Maurice Blanchot. [Subject: History, Natural Disasters, Cultural Anthropology]
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Seller: moluna, Greven, Germany
Kartoniert / Broschiert. Condition: New. From epidemics in the 17th century and the Lisbon earthquake in 1755 to Guernica in World War II, the essays in this volume trace the development of the catastrophic imagination, relying heavily on pictorial media and different forms of staging. Catastro. Seller Inventory # 160667958
Quantity: Over 20 available
Seller: AHA-BUCH GmbH, Einbeck, Germany
Taschenbuch. Condition: Neu. Neuware - From epidemics in the 17th century and the Lisbon earthquake in 1755 to Guernica in World War II, the essays in this volume trace the development of the catastrophic imagination, relying heavily on pictorial media and different forms of staging. Catastrophe in its modern sense seems to be inextricably linked to its spectacular representation, be it on the stage, on screen or in popular amusement parks. But the modern relationship between catastrophe and spectacle is also increasingly confronting us with the unimaginable side of catastrophe, particularly with regard to the Holocaust and in more recent times to the daily experience of refugees.The essays in this volume elucidate images of the catastrophes that have inspired them by providing a textual commentary that makes it possible to reconsider how the spectacular and the catastrophic are interrelated. Thus, the essays not only deal with the emergence of the modern spectacular imagination of catastrophe in terms of the history of both discourse and media, they also present themselves as a critique of catastrophe, one based on close readings of the scenes and images in question. Seller Inventory # 9783958081222
Quantity: Over 20 available
Seller: preigu, Osnabrück, Germany
Taschenbuch. Condition: Neu. Catastrophe & Spectacle | Variations of a Conceptual Relation from the 17th to the 21st Century | Jörg Dünne (u. a.) | Taschenbuch | 208 S. | Englisch | 2018 | Neofelis | EAN 9783958081222 | Verantwortliche Person für die EU: Neofelis Verlag GmbH, Matthias Naumann, Kuglerstr. 59, 10439 Berlin, info[at]neofelis-verlag[dot]de | Anbieter: preigu. Seller Inventory # 111061976